Channel 1 Networks
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Nightcrawler – Movie Trailer
Nov 12th
NIGHTCRAWLER is a pulse-pounding thriller set in the nocturnal underbelly of contemporary Los Angeles. Jake Gyllenhaal stars as Lou Bloom, a driven young man desperate for work who discovers the high-speed world of L.A. crime journalism. Finding a group of freelance camera crews who film crashes, fires, murder and other mayhem, Lou muscles into the cut-throat, dangerous realm of nightcrawling — where each police siren wail equals a possible windfall and victims are converted into dollars and cents. Aided by Rene Russo as Nina, a veteran of the blood-sport that is local TV news, Lou thrives. In the breakneck, ceaseless search for footage, he becomes the star of his own story.
Nightcrawler “Good and Creepy”
Nov 12th
“Hotshots” looks at a movie!
NIGHTCRAWLER is a fascinating and dark movie that affects you the way passing an accident on the highway does: You want to look at it, but you feel a little bit guilty in doing so.
Jake Gyllenhaal stars as Louis Bloom, a petty thief who does come across an automobile accident in Los Angeles, and the experience changes his life so much that he becomes a different man because of it.
It is the middle of the night, Lou stops his car to observe what is happening at the scene, he watches a videographer record footage for morning news programs, and when he sees the footage on television, Lou decides that he can do that, and so he buys himself a camcorder and a police scanner and sets out to become a freelance videographer specializing in accidents and crime scenes that happen in the middle of the night.
Lou makes his first sale for $250, and when the news director tells him he has a good eye, Lou says, “I’m a very, very quick learner; you’ll be seeing me again.”
A carjacking crime wave going on in the city causes business to be so good for Lou that he hires a young homeless man for $30 a night to be his assistant.
Rick’s job is to ride shotgun, watch the traffic, give directions, and handle a second camera for different angles at the scenes.
Well, one night Lou and Rick come onto a crime scene that will change their lives.
It involves shootings during a home invasion, and because Lou and Rick arrive on the scene before the police do, they see the shooters leave the house, and Lou even records them.
Then Lou goes inside the house to get exclusive footage of the victims while Rick stays outside and stands watch.
Lou has no compunction against moving evidence inside the house for better camera angles before the police arrive and gets away with it.
For now.
Lou establishes a business relationship with the news director of one of the TV stations, who is Nina, played by Rene Russo, but he would like their relationship to be more than just business.
Rick wants more money, the police question Lou, and then all hell breaks loose.
NIGHTCRAWLER is fascinating to watch, very good, but very very very very creepy.
I’m Dan Culberson and this is “Hotshots.”
Birdman “Unusual and Boring”
Nov 12th
“Hotshots” looks at a movie!
BIRDMAN has the full, awkward title of BIRDMAN OR (THE UNEXPECTED VIRTUE OF IGNORANCE), which sums up the whole movie.
It is long, it is unnecessary, it is complicated, and in the end it is obtuse and doesn’t mean anything.
Michael Keaton stars as Riggan Thomson, an actor who is trying to rejuvenate his career by mounting and starring in a play on Broadway after he used to be somebody in the movies.
You see, some 20 years ago Riggan starred in three popular movies as a comic-book superhero known as Birdman, but after those successful movies playing the superhero, Riggan said no to making BIRDMAN 4.
Remind you of anyone?
Yes, Keaton himself starred as Batman in the 1989 BATMAN and the 1992 BATMAN RETURNS movies, but not in the third Batman movie in the series, although I am not sure why, but there was controversy about his starring in even the first one, with some critics complaining that his chin was too “weak” to be Batman, who wears a mask, remember?
At any rate, a voice in Riggan’s head says, “We had it all; we gave it away.”
Later in the movie, that voice in Riggan’s head becomes significant.
So, Riggan has written an adaptation of a short story called “What We Talk about When We Talk about Love,” he is directing the play and also starring in it, and the action in the movie takes place mostly in the theater where the play is going to be produced.
The camera work is made to look as if the whole movie was shot in one continuous take, but the long shots sometimes end in a different location and at a different time in the story, which is another example of unnecessary and complicated, right?
The story takes place before the previews of the production, and also appearing are Edward Norton, Emma Stone, Zach Galifianakis, and Naomi Watts, but when scenes turn surrealistic, such as when Riggan floats and flies above the streets of New York City, you might wonder what is going on and why are you there watching this confusing piece of whatever you want to call it.
We see rehearsals for the play, and the acting is terrible.
BIRDMAN goes on way too long, and it is too unusual and boring for my taste.
I’m Dan Culberson and this is “Hotshots.”