Posts tagged Cannes Film Festival
“Amour” Is Difficult, but Thought-Provoking
Feb 10th
“Difficult, but Thought-Provoking”
“Hotshots” looks at a movie!
Amour means “love,” “affection,” or “passion” in French, and although the film has dialogue in French with English subtitles and it was nominated for an Academy Award for Best Foreign Language Feature, it was not submitted by France, but rather by Austria.
The reason is that the director, Michael Haneke, is Austrian, not French, and so one could say that not everything is at it seems with this film, which goes for the simple story itself.
The film was also nominated for four other Academy Awards, Best Picture, Director, Original Screenplay, and Actress, and in 2012 it won the top prize at the Cannes Film Festival, which suggests that this is a well-respected, classy film.
But not everything is as it seems.
For example, you might believe you already know how it ends from reading about it and especially from seeing the opening scene.
But there is much more to it than that an old woman dies.
The woman is Anne, she has a stroke at the beginning of the film, and when she returns home, she says to her husband, Georges, “Promise me one thing. Never take me back to the hospital.”
She is partially paralyzed on the right side of her body, and as Georges begins to care for her at home and as Anne’s condition becomes worse, keeping that promise becomes more and more difficult.
The action occurs almost entirely inside their apartment in Paris, and although other characters come and go, the events consist mostly of Georges’s problems taking care of Anne as her physical condition gets worse.
It sounds boring, doesn’t it, especially since you believe you already know how it is going to end.
But not everything is as it seems.
For example, there are a couple of scenes that end with a planned shock to the audience, and one you might not have seen coming. There are also a couple of scenes that have to have been either fantasizing by one of the characters or the result of the director and screenwriter playing with the audience.
However, after the film is over, you realize that thinking about these scenes adds depth and meaning to the film.
In other words, keep remembering that not everything is as it seems with this award-winning film.
Amour is difficult to watch, but also very thought-provoking.
I’m Dan Culberson and this is “Hotshots.”
“The Tree of Life” The Film of Pretentiousness
Jun 22nd
“The Film of Pretentiousness”
“Hotshots” looks at a movie!
The Tree of Life won the Palme D’or at the 2011 Cannes Film Festival, which says something more about the French than it does about this film.
Written and directed by Terrence Malick, well-known, reclusive, but slow-working filmmaker, this is only his fifth feature-length film, his first being the 1973 Badlands, which has a cult following, as do most of Malick’s films.
I believe it is safe to say that Malick’s films are an acquired taste, and I found his latest one to be distasteful.
No, “distasteful” is such an ugly word. Let’s just call it boring and pretentious.
The film contains very little dialogue within scenes that are part of what little story there is, and most of the dialogue is voice-over narration, such as when Mrs. O’Brien says at the beginning of the film, “The nuns taught us there were two ways through life–the way of nature and the way of grace. You have to choose which one you’ll follow.”
Then we see the first of the scenes that will develop this theme, which involve the O’Brien family, Mr. and Mrs. O’Brien, played by Brad Pitt and Jessica Chastain, and their three boys, the oldest of whom, Jack, is played by Sean Penn as a grown-up.
Although most of the scenes about the family take place in the 1950s in Texas, sometime in the Sixties Mrs. O’Brien receives a telegram that one of the boys is dead, when he was 19.
So, then we see scenes of grief, hear lots of voice-over spiritual narration, and then we experience a long sequence of images that actually depict the beginning of the cosmos, the planet, the beginnings of life, and, yes, even dinosaurs.
Two women in the theater walked out at this point, before the film got back to the story of the O’Brien family in the Fifties, beginning with the birth of Jack.
Mr. O’Brien is a strict disciplinarian who demands that everyone obey him, but also profess their love for him. He represents nature.
Mrs. O’Brien plays wildly with abandon with the boys when Mr. O’Brien is away on a business trip. She represents grace.
However, the story is weak to begin with, and the film is made even weaker with all the spiritual visual images.
The Tree of Life is the film of pretentiousness.
I’m Dan Culberson and this is “Hotshots.”
“Midnight in Paris” Convoluted Way to Make Simple Point
Jun 15th
“Convoluted Way to Make Simple Point”
“Hotshots” looks at a movie!
Midnight in Paris is Woody Allen’s latest film, it was the opening film at the 2011 Cannes Film Festival, and it has been called one of Allen’s best movies in years.
You be the judge.
It takes place in the present, and so you might be surprised to know that some of the characters in it are Cole Porter, Zelda and F. Scott Fitzgerald, Ernest Hemingway, Josephine Baker, Gertrude Stein, Pablo Picasso, Salvador Dali, T.S. Eliot, and a number of other well-known and not-so-well-known artists from the past.
How can this be, you ask?
Well, therein lies the story, which may or may not be a pun.
Owen Wilson stars as Gil Pender, Rachel McAdams plays his fiancee, Inez, and they are freeloading along with her father and mother on a business trip to Paris that her father is taking.
Even though Gil is a successful Hollywood screenwriter, he becomes enamored with Paris, and he tells Inez, “I can see myself living here.”
Gil happens to be working on a novel, and he considers himself to be a Hollywood hack who never gave literature a shot. He also says that he would have liked to have lived in Paris in the 1920s.
Well, one night after a serious wine tasting, Gil takes a walk through the streets of Paris while the others in the party all go dancing.
Gill is drunk, gets lost while trying to find the hotel, and just as a clock strikes midnight, a 1920s-era taxicab drives by full of party revelers.
They stop, and they invite Gil to join them and go to a party.
At the party, Gil is amazed to see Cole Porter playing the piano and singing, and he meets Zelda and F. Scott Fitzgerald.
Later, they take their movable party to a cafe, and there is Ernest Hemingway sitting and drinking. Gil tells Hemingway about his novel, and Hemingway offers to show it to Gertrude Stein for her opinion.
Gil leaves to get his manuscript at the hotel, but when he immediately turns around to arrange where they will meet, the cafe is gone.
The next night Gil tries to show Inez what had happened, but she gets bored and leaves before midnight.
But it happens again.
Midnight in Paris is a convoluted way to get a simple point across.
I’m Dan Culberson and this is “Hotshots.”
