Posts tagged David Wilson Barnes
“The Company Men” Devastating, Yet Heartwarming
Jan 30th
“Devastating, Yet Heartwarming”
“Hotshots” looks at a movie!
THE COMPANY MEN is a very good, yet devastating look at what the effect the economic recession of 2008 had on a group of successful businessmen who worked for the same company, as well as how it affected their families when they got fired.
No, “fired” is such an ugly word. Let’s just say they got “laid off.”
The company in question is an international transportation company with headquarters in Boston that started out as a shipbuilding company.
Ben Affleck stars as Bobby Walker, the head of the sales division for one of three shipyards in the company, where he has worked for 12 years, and he comes into work one morning all excited about the round of golf he had just shot only to be greeted by silence in a conference-room meeting of his department.
“What’s the matter?” he asks. “Did somebody die?”
Even though consolidating divisions had been discussed for months, two of the shipyards were closed, and the company lawyer, Sally Wilcox, played by Maria Bello, had fired Bobby without even telling him.
Excuse me. “Laid him off” without telling him.
When Bobby gets home, he tells his wife, Maggie, that he doesn’t want to tell anybody else what happened until he gets another job. Is he showing pride? Stubbornness? Stupidity?
Tommy Lee Jones plays Gene McClary, who started the company with his college roommate. He is friends with Bobby and invites him to lunch, but Bobby gets up and leaves after refusing Gene’s offer to help him.
Pride? Stubbornness? Stupidity?
Bobby believes that he is a 37-year-old loser without a job who can’t support his family, and when Maggie’s brother offers Bobby a job working construction with him, Bobby turns him down, too.
Pride? Stubbornness? Stupidity?
Incidentally, Kevin Costner plays Maggie’s brother, and his phony Boston accent doesn’t help the suspension of disbelief any.
We follow other company men who get laid off, including Phil Woodward, played by Chris Cooper, whose wife won’t let him come home until after six o’clock every day, because she doesn’t want the neighbors to know that he lost his job. He even has to carry his briefcase with him.
This might sound like a real downer of a movie, and it is until toward the end, when it becomes quite heartwarming.
THE COMPANY MEN is devastating, yet heartwarming.
I’m Dan Culberson and this is “Hotshots.”
The Company Men – Movie Trailer
Jan 27th
Bobby Walker (Ben Affleck) is living the American dream: great job, beautiful family, shiny Porsche in the garage. When corporate downsizing leaves him and co-workers Phil Woodward (Chris Cooper) and Gene McClary (Tommy Lee Jones) jobless, the three men are forced to re-define their lives as men, husbands, and fathers.
Bobby soon finds himself enduring enthusiastic life coaching, a job building houses for his brother-in-law (Kevin Costner) which does not play to his executive skill set, and perhaps the realization that there is more to life than chasing the bigger, better deal. With humor, pathos, and keen observation, writer-director John Wells (the creator of “ER”) introduces us to the new realities of American life.
“Taking Woodstock” It’s the Dream, Man
Sep 3rd
It’s the Dream, Man
“Hotshots” looks at a movie!
TAKING WOODSTOCK is Ang Lee’s latest film and is based on the book, TAKING WOODSTOCK: A True Story of a Riot, a Concert, and a Life, by Elliot Tiber, who was one of the main reasons that the legendary concert happened.
In fact, the film is a comedy and is more about Elliot and his relationship with his parents than it is about the concert itself.
If you are old enough to remember when Woodstock happened or if you were one of the 400,000 who were there, the film brings back strong emotions and even tears. What is more, you cannot take it all in with just one viewing.
On the other hand, if you were born after Woodstock occurred beginning August 15, 1969, you might unreasonably and incorrectly dismiss the film as just another self-indulgence of Baby Boomers instead of the masterpiece it is about the more aptly called Woodstock generation.
Elliot has moved back home in upstate New York to live with his parents in their run-down El Monaco Motel, which is over $5,000 in arrears on their mortgage.
Fortunately, however, Elliot is president of the local Chamber of Commerce, which is in charge of granting permits for concerts, and Elliot is known for the summer “concerts” he puts on at the motel with recorded music, but he says, “This year I’m going to try to have a live quartet.”
When Elliot learns that a nearby town has canceled plans to host a music festival, he gets in touch with the promoters and offers the motel as head-quarters and his own festival permit as all the permission the promoters need.
Sure, there are problems, but Elliot and the promoters, who have already sold 100,000 tickets to the concert, manage to overcome them, and the rest, as they say, is musical, cultural, and revolutionary history.
The film uses the split-screen technique made famous in the 1970 Oscar- winning documentary WOODSTOCK, and even though this film doesn’t concentrate on the music the way the documentary does, it is still an enjoyable experience.
It is truly a creative masterpiece.
As someone said, “It’s the dream, Man. We all could use a little Woodstock in our lives now.”
TAKING WOODSTOCK brings to mind another expression in the news a lot lately:
“And the dream shall never die.”
I’m Dan Culberson and this is “Hotshots.”
