Posts tagged Francesco De Vito
“When in Rome” Can’t Say Enough Bad about It
Feb 11th
Can’t Say Enough Bad about It
“Hotshots” looks at a movie!
WHEN IN ROME calls itself a romantic comedy, or “rom-com,” but is so bad that it deserves a new label of “abom-com,” for abominable comedy.
The only reason this movie will be mentioned again this year is if another movie is so bad that it is compared with this one.
Here is how bad it is. You know what a “Greek chorus” is, a group of actors in a drama who participate in or comment on the action?
This movie has what could be called an “idiot chorus,” and not only one, but two! Both the female lead, Kristen Bell, and the male lead, Josh Duhamel, have a group of three friends who just look goofy and act dumber than the leads.
Bell plays Beth, who has the unlikely job of being a curator at the Guggenheim Museum in New York City, but the movie explains this away by saying that she is the youngest and least experienced curator at the museum.
Beth’s younger sister, Joan, is getting married in Rome, and while Beth is there, she overreacts to what she mistakenly thinks is a setback in a possible new relationship with the groom’s best man, Nick, played by Duhamel, and she takes five coins out of the Fountain of Love, saying, “Each one of you is a desperate wish for love that is never going to come true.”
Beth takes the coins back to New York with her, and then we learn about the legend that if you remove a coin from the Fountain of Love, the person who threw if in will fall in love with you.
Surprise! Surprise! All of the coin tossers were men, and they all just happen to be in New York, except for one, which is explained later.
So, now Beth finds herself being chased–stalked, actually–by a group of idiot suitors, including a manic painter, a self-absorbed model, an insecure street magician, and a sausage magnate played by Danny DeVito.
This movie is so bad that one of the idiot suitors has a secret that was kept during the publicity for the movie, but if that secret had been revealed and exploited during the publicity, it would have made the movie funnier and more interesting.
WHEN IN ROME is so lame that I can’t say enough bad about it.
I’m Dan Culberson and this is “Hotshots.”
When in Rome – Movie Trailer
Feb 10th
Disillusioned with romance during her whirlwind trip to Rome, an ambitious New Yorker defiantly swipes a few magic coins from a “foolish” wishing fountain, inadvertently igniting the passions of a motley crew of suitors as she’s pursued by a handsome reporter with charm to spare. Beth (Kristen Bell) is at a point in her life where love seems like a luxury she just can’t afford. Years of waiting for that perfect romance has made Beth bitter, and one day, while vacationing in Rome, she cynically plucks a handful of coins from a local fountain of love. Almost immediately thereafter, Beth finds herself fending off the advances of a diminutive sausage magnate (Danny DeVito), a lanky street magician (Jon Heder), a doting painter (Will Arnett), and a narcissistic male model (Dax Shepard). Meanwhile, a smitten reporter (Josh Duhamel) does his best to convince Beth that true love isn’t just a topic of fairy tales and romance novels.
“Nine” Does Fellini Proud
Jan 6th
Does Fellini Proud
“Hotshots” looks at a movie!
NINE is the film production of the 1982 award-winning Broadway musical, which in turn was based on Federico Fellini’s 1963 award-winning film 8-1/2.
Expect this film to win many awards, as well, and it is great entertainment, even for those who don’t care for musicals.
The story is about how a famous Italian film director is all set to begin his next film, but he has no idea what the film is going to consist of, and all he has is the title, ITALIA.
The title of Fellini’s 1963 film, which was autobiographical, reflected that he had made 8-1/2 films, the “half” representing the one that he had co-directed. The title of the Broadway musical and this film means that the director is trying to make his ninth film, but is blocked creatively, and his personal life and professional responsibilities come crashing down and have put him into a suicidal depression.
In other words, it is a musical comedy full of beautiful women, elaborate musical numbers and songs, and gorgeous sets and locations.
Daniel Day-Lewis plays the director, Guido Contini, and the women in his life, each with a musical number, are Marion Cotillard as his wife, Penelope Cruz as his mistress, Nicole Kidman as his film star and muse, Judi Dench as his confidant and costume designer, Kate Hudson as a fashion journalist, Sophia Loren as his mother, and Fergie from The Black Eyed Peas as a prostitute from Guido’s youth.
The story mixes reality, fantasy, and memories seamlessly as we follow Guido’s impossibly difficult efforts to begin–much less make–his ninth film.
In fact, at the beginning of the story, Guido ducks out of a press conference about his next film, telling his costume designer, “I can’t face these reporters. I have nothing to say.”
You see, Guido’s last two films were flops, and he is terrified that his next one will also fail, the nightmare of all creative artists who have achieved success.
Guido escapes from Rome to a hotel at a spa, but he is recognized everywhere he goes, and his producer finds him and shows up with a film crew ready to begin work.
In addition, Guido has called on the women in his life to also come there to help him.
NINE does Fellini proud, and I give it an “11.”
I’m Dan Culberson and this is “Hotshots.”