Posts tagged TIME
“Green Zone” Simple Story with Complex Overtones
Mar 18th
Simple Story with Complex Overtones
“Hotshots” looks at a movie!
GREEN ZONE is the third collaboration of director Paul Greengrass and actor Matt Damon, the first two being the 2004 THE BOURNE SUPREMACY and the 2007 THE BOURNE ULTIMATUM, and as TIME magazine put it, this movie essentially parachutes “their franchise’s hero, Jason Bourne, into the toxic reality of Iraq.”
This time, however, Damon plays U.S. Army Chief Warrant Officer Roy Miller, and his assignment right after the war in Iraq began is to lead his team of soldiers to find the weapons of mass destruction that were the cause of the war in the first place.
So, we see Chief Miller and his team roll up to a site in Baghdad that is a disaster, full of Iraqi looters and even an Iraqi sniper in the area.
Miller finds the U.S. officer in charge and tells him, “Intel says we’ve got live chemical agents in this site!”
After they take out the sniper, they go into the building and find . . . nothing. No chemical agents, no weapons of mass destruction, nothing, nada, zip, zilch!
This is not the first time, either. Chief Miller and his team hit another site the week before that was supposedly based on good intelligence, but the site turned out to be nothing more than a toilet factory.
Then we meet Clark Poundstone, played by Greg Kinnear. Poundstone is from Pentagon Special Intelligence, and he swears by the intelligence they have been receiving from an Iraqi source with the code name “Magellan.”
In the meantime, Miller encounters an Iraqi civilian who tells him about a private meeting taking place with high-value Iraqis. They call the man “Freddy,” and he leads them to the house where, sure enough, one of Saddam Hussein’s high-level generals, named Al-Rawi, is at the meeting, but he escapes after a firefight.
At this point other American troops come onto the scene, and a fight breaks out between them and Miller’s team over a black book that was obtained at the house.
There is the suspicion that General Al-Rawi is actually Magellan and was intentionally feeding the Americans false information, which Poundstone might even have known was false.
At this point, the movie turns into one long complicated chase that is awfully confusing about who is who and what is going on.
GREEN ZONE is a simple story with complex overtones.
I’m Dan Culberson and this is “Hotshots.”
“The September Issue” Over The Top
Sep 16th
Over the Top
“Hotshots” looks at a movie!
THE SEPTEMBER ISSUE is an excellent documentary about the making of the September 2007 issue of VOGUE magazine and its legendary editor-in-chief Anna Wintour, said to be the inspiration for the Meryl Streep character in the 2006 THE DEVIL WEARS PRADA.
Wintour is called the single most important figure in the $300 billion fashion industry. That is a lot of dresses, shoes, accessories, makeup, a lot of woman, and by that I don’t mean Wintour, but all the women all over the world, as well as the ones in every man’s life.
Now, I know what you are thinking: “Sure, women will like this movie, because it is all about fashion and clothes, but will men like it, too?
Of course, women will love it for the fashion, and men will love it for the beautiful models. You will see beautiful outfits on beautiful women and ugly, atrocious outfits on beautiful women.
As someone in the film says, “Anna is the most powerful woman in the United States.”
Why? Because Vogue is the so-called “Bible” of the fashion industry, and if VOGUE–meaning Anna Wintour–gets behind something, it sells.
However, as Anna herself says at the beginning of the film, “There is something about fashion that can make people very nervous.”
The film begins in 2007 in New York City, and we see what goes into the making of the September issue of the magazine, because “September is the January in fashion.” A film crew was given access to everything, including the offices, the private lives of the editors and creative directors, the photo sessions, and the trips to Paris, Rome, and London for the fashion shows, meetings, and photo shoots for the cover with actress Sienna Miller.
The film also spends a lot of time with Grace Coddington, the magazine’s creative director and “resident genius,” as TIME magazine called her.
She and Anna started working at the American VOGUE on the same day 20 years ago, and Grace serves as some of the comic relief in the seriousness of the film, as we see her frustration after spending a lot of time and money on portions of the magazine only to have Anna take them out at the last minute or order a reshoot.
THE SEPTEMBER ISSUE is over the top, but fascinating, just like fashion.
I’m Dan Culberson and this is “Hotshots.”
