Posts tagged ban
Another beat-down of Denver’s homeless
May 15th
Council member Montero accused us tonight of being Hit and Run activists. What is really hit and run is the ordinance itself.
If we take the city at its word, and not at the verbiage of this fascist piece of legislation, we are expected to believe that there will be few arrests, and then only after unavailable services have been offered.
Chief White says that the police will have a “light touch.” We would like to remind the city that Denver County Jail is no day spa, in fact we’re quite sure there’s not a hot tub in the building.
The Denver Police claim that this bill will be selectively enforced. What that means, literally, is that if they don’t like where you are, who you are, or what you stand for, then you might be arrested. We remember when the Patriot Act was passed, we were told that it would only apply to terrorists, now petty NSA surveillance, TSA strip-searches, and the death of habeas corpus are an accepted reality to all Americans.
Homelessness is the ultimate symptom of a dying economy. To arrest people for sleeping on the streets because you don’t like the way it looks, is like throwing pumpkin seeds at an oncoming bear.
Lopez was right, “this is class war.”
Unfortunately, the front line is now the most vulnerable members of our community.
“Pirate Radio” Will Never Sink
Nov 18th
Will Never Sink
“Hotshots” looks at a movie!
PIRATE RADIO is based on the fact that back in the Sixties the British government–meaning “the Establishment”–didn’t approve of rock ‘n’ roll music, and so it wasn’t allowed to be played on traditional radio stations.
As a result of that ban, “pirate” radio stations developed, some even broadcast from ships anchored off the coast of Great Britain and thus outside the law and safe from the long arm of the Establishment. This is one story, which takes place in 1966.
Philip Seymour Hoffman plays The Count, an American disc jockey on one such ship in the North Sea playing rock ‘n’ roll music 24 hours a day to an enthusiastic audience, one of whom isn’t Sir Alistair Dormandy, played by Kenneth Branagh, a government official who spends his time in the film trying to shut down the radio station by the end of the year.
This causes the following response: “They can’t shut us down. We’re pirates!”
There is one woman on board, Felicity, but that is okay, because she is a lesbian, or as one character says, she is “of the lesbionic tendency.”
Serving as the catalyst to the story is Carl, a young 18-year-old lad who has been kicked out of school and sent into the care of his godfather, Quentin, who owns the pirate-radio ship and is also in charge of running it.
Carl’s father had sex with his mum and then left without leaving his name or address, and the search for the identity of Carl’s father is a subplot of the film.
Now, you might think that life aboard a ship would be cramped in terms of a story, but we have many colorful characters, and occasionally Quentin arranges for adoring female fans to be brought aboard in order to meet their favorite deejays–if you know what I mean.
Also, the music might not be historically accurate, but it is great nonetheless.
One disc jockey even gets married, which allows his wife to come live aboard with him, but that causes more problems than he bargained for.
The film doesn’t exactly have a TITANIC ending, but it might be the only time that the expression “rock ‘n’ roll” brings tears to your eyes and a smile to your lips.
PIRATE RADIO also shows that rock ‘n’ roll will never sink.
I’m Dan Culberson and this is “Hotshots.”