Posts tagged Chris Odowd
St. Vincent “Big Rewards”
Oct 29th
“Hotshots” looks at a movie!
ST. VINCENT is the latest film starring Bill Murray, and that is all you need to know to make you want to see it, and you will be pleased you did. Murray plays Vincent, who is the furthest thing you can imagine being a saint at the beginning of the movie.
Vincent lives in a run-down house in Brooklyn, he drinks, he gambles, and he has a so-called “friend,” who is a pregnant Russian stripper and hooker named Daka, who is played by Naomi Watts.
Well, one day some new neighbors move in next door, and things get off to a bad start when the moving truck breaks a branch off a tree in Vincent’s front yard, which falls onto Vincent’s car parked in his driveway and damages it.
The car, not the driveway.
The truck also runs over Vincent’s fence, and he wants the new neighbor to pay for that, too, although we have already seen Vincent run over the fence himself while driving his car into the driveway drunk and backwards.
The new neighbors are Maggie, a woman going through a divorce played by Melissa McCarthy in a surprisingly and thankfully toned-down performance, and her young son Oliver, who says when he is told about Vincent, “It’s gonna be a long life.”
Maggie has a new job at a hospital, and Oliver starts a new school, which happens to be Catholic, although he is not, nor are many of the kids in his class, as the teacher finds out when he introduces Oliver to the class.
The teacher, Brother Geraghty, is played by Chris O’Dowd.
On his first day at school, Oliver gets picked on by some bullies, and his clothes are stolen, and so when he gets home he is locked out of the house and goes next door to use Vincent’s phone in order to call Maggie.
When Oliver tries to explain why he wants to use Vinent’s telephone, Vincent says, “I don’t need to hear the whole story,” which Vincent will say more than once in this movie.
When Maggie gets home, she anticipates future needs to use Vincent, and so they agree that Vincent will babysit Oliver for a small wage whenever necessary.
Well, you can see where this arrangement is headed, can’t you?
ST. VINCENT pays off with big rewards.
I’m Dan Culberson and this is “Hotshots.”
St. Vincent – Movie Trailer
Oct 24th
Maggie (McCarthy), a single mother, moves into a new home in Brooklyn with her 12-year old son, Oliver (Lieberher). Forced to work long hours, she has no choice but to leave Oliver in the care of their new neighbor, Vincent (Murray), a retired curmudgeon with a penchant for alcohol and gambling. An odd friendship soon blossoms between the improbable pair. Together with a pregnant stripper named Daka (Watts), Vincent brings Oliver along on all the stops that make up his daily routine – the race track, a strip club, and the local dive bar. Vincent helps Oliver grow to become a man, while Oliver begins to see in Vincent something that no one else is able to: a misunderstood man with a good heart.
Calvary “Depressing Through and Through”
Aug 18th
“Hotshots” looks at a movie!
CALVARY has been called a “dark comedy,” and I certainly agree that it is dark, but I found nothing in it that I would call a comedy.
It stars Breendan Gleeson, an Irish actor who has made some terrific comedies, and in this film he plays Father James, a Catholic priest in a small town in Ireland who hears something startling at the beginning of the film while he is holding Confession.
The person that Father James is listening to tells him about being sexually abused by a priest starting at seven years old and then says in a calm, steady voice, “I’m going to kill you, Father.”
Now, Father James was not the abuser, he is told that he is innocent, but he is also told that is the reason Father James is going to be killed, along with when and where his death will take place.
Later, Father James is advised that the choice is his whether or not to go to the police, and he does go to the police, but for a reason other than to report the threat on his life.
Father James says that he knows who the person is, but later in the film he says that he doesn’t.
So, for the rest of the film we watch Father James conduct his priestly duties and go about the business of living his life while we in the audience try to figure out who the possible killer is and what Father James is going to do when the time comes.
Is it Jack the butcher, whose wife has been knocked about, but not by Jack, or so he claims, but by someone she has been seeing, and not so secretly?
Is it the person Jack believes is mistreating his wife or one of her many boyfriends that person says she has?
Is it Michael Fitzgerald, who is rich and has a nice home, but is now alone after everyone around him has left him?
Is it the owner of the pub where everyone goes to forget their troubles and who seems to have a grudge against Father James?
Could it even be someone we don’t see until the time and place of the death threat?
CALVARY is depressing to begin with, in the middle, and even more depressing after it is over.
I’m Dan Culberson and this is “Hotshots.”
