Posts tagged Max von Sydow
“Robin Hood” The Early Years
May 20th
The Early Years
“Hotshots” looks at a movie!
ROBIN HOOD, the 2010 version starring Russell Crowe and Cate Blanchett and directed by Ridley Scott, could well be the most historically accurate of all the poems, legends, songs, movies, and television shows that have been created about the legendary English outlaw who stole from the rich and gave to the poor.
This is ironic, of course, because there is no evidence that Robin Hood actually existed.
However, the secondary characters of King John, King Richard, and King Philip of France all certainly did exist, which makes the closing title that says the characters in the movie are fictitious and any resemblance to characters living or dead is coincidental all the more ironic, if not a blatant lie.
So, this version begins in 1199 A.D. in France, and we see King Richard the Lion Heart on his way back to England with his army after 10 years of fighting in the First Crusade.
For reasons that aren’t made clear unless we just assume that the English and the French hate each other, Richard says there is one more castle to sack and then it is home to England.
Spoiler Alert! King Richard dies in the attack, and one of the king’s prize archers is Robin Longstride, a natural leader of men, who was being punished for being too honest.
Robin encourages some men to head for the coast with him, but when they complain that they haven’t been paid, Robin tells them, “Try getting paid by a dead king.”
Then through a series of circumstances, Robin and his followers end up in possession of the king’s crown when the noblemen taking it back to England are killed, and Robin also takes the sword of Sir Robert Loxley, who was protecting the crown.
They travel to England posing as noblemen, return the crown to London with the news that King Richard is dead, and then return the sword to Sir Robert’s father and Marion, Sir Robert’s widow.
A traitor in King John’s court knows the truth, Robin is declared an outlaw, and after many fights that go on so long, they become boring, we see a title that says, “And So the Legend Begins.”
ROBIN HOOD should have been subtitled “The Early Years,” and we will have to wait for the sequel to get to the good stuff.
I’m Dan Culberson and this is “Hotshots.”
Robin Hood – Movie Trailer
May 19th
Director Ridley Scott and actor Russell Crowe reunite for their fifth big-screen outing, a retelling of the Robin Hood legend featuring the Gladiator star in the titular role. A bowman in the army of Richard Coeur de Lion, virtuous rogue Robin Hood rises from an unlikely background to become a hero to the impoverished people of Nottingham and lover to the beautiful Lady Marion (Cate Blanchett). Cyrus Voris, Ethan Reiff, and Brian Helgeland collaborate on the screenplay for a costume adventure produced by Brian Grazer (Frost/Nixon, American Gangster).
“Shutter Island” Disappointment City
Feb 25th
Disappointment City
“Hotshots” looks at a movie!
SHUTTER ISLAND is the fourth collaboration between director Martin Scorsese and Leonardo DiCaprio and to say that it is a disappointment would be an understatement.
The film contains too many elements from previous films that appear to be obvious rip-offs, it wants to be surprising and shocking but instead is just confusing, and the ending is so bad that it makes you want to get up and leave, except that the audience is already doing that.
In addition, there are too many scenes that are nothing more than just exposition designed to fill in the holes for the audience.
DiCaprio plays U.S. Marshall Teddy Daniels, the time is 1954, and the place is Ashecliffe Hospital on Shutter Island, an institution for the criminally insane on one of the islands in Boston Harbor.
Daniels is there with his brand-new partner, Chuck Aule, played by Mark Ruffalo, and they are investigating the disappearance of a female patient, Rachel Solando, who is there because she killed her three children, but believes that they are still alive.
As he starts his investigation, Daniels remarks that the inmates appear as if they are all on edge, and he is told, “Right now, Marshall, we all are.”
He is also corrected that the people there are patients, not inmates, by Dr. Cawley, played by Ben Kingsley.
The island is 11 miles from the nearest land, the dock is the only way off or on the island, Rachel has no shoes, and it is as if she evaporated from a locked cell with bars on the window.
And then there is a storm coming up that will turn into a hurricane.
If all this weren’t enough for Daniels to deal with, he starts to have flashbacks to his experience in World War II when he helped liberate a concentration camp, and he also begins to have dreams and visions of his dead wife, Dolores.
Daniels has an ulterior motive for requesting this case, because he suspects that the man who killed his wife is also a patient in the asylum.
Watching this movie can lead you to these conclusions: Scorsese does surrealism, Scorsese does melodramatics, Scorsese doesn’t do shock or suspense, Scorsese doesn’t do surprise endings, Scorsese does do overindulgence–no, make that self-overindulgence–and finally Scorsese doesn’t do Hitchcock.
SHUTTER ISLAND is Disappointment City.
