Posts tagged Michael Kranz
War Horse – Movie Trailer
Dec 25th
Set against a sweeping canvas of rural England and Europe during the First World War, War Horse begins with the remarkable friendship between a horse named Joey and a young man called Albert, who tames and trains him. When they are forcefully parted, the film follows the extraordinary journey of the horse as he moves through the war, changing and inspiring the lives of all those he meets-British cavalry, German soldiers, and a French farmer and his granddaughter-before the story reaches its emotional climax in the heart of No Man’s Land. The First World War is experienced through the journey of this horse-an odyssey of joy and sorrow, passionate friendship and high adventure.
“Inglourious Basterds” Ostentatious Self-Indulgence
Aug 27th
Ostentatious Self-Indulgence
“Hotshots” looks at a movie!
INGLOURIOUS BASTERDS is intentionally misspelled, because writer-director Quentin Tarantino wanted that title for his latest movie, but also wanted to differentiate it from the 1978 Italian movie of the same name, which just shows how easily he could have given it a unique title.
I’ll tell you what that unique title could have been later on.
The film is divided into five chapters, which are identified at the beginning of each section, and Chapter 1 takes place in 1941 in Nazi-occupied France.
Col. Hans Landa, a German SS officer played brilliantly by Austrian actor Christoph Waltz, shows up with his men at a small dairy farm to question the owner in private.
Waltz has already won the Best Actor award at the 2009 Cannes Film Festival, and he is sure to be nominated for and to win many more similar awards for this role.
Col. Landa is charged with finding and killing Jews in France, and he suspects that the farm owner he is questioning can provide him with information about the last Jewish family unaccounted for in the neighborhood.
Chapter 2 then shows the title characters, who are a squad of Jewish- American soldiers who have been dropped behind enemy lines in France and are led by Lt. Aldo Raine, played by Brad Pitt in a surprisingly comic role.
Lt. Raine tells his men, “We’re here to do one thing and one thing only: Killing Nazis.”
Well, that’s not entirely true, because they also scalp the German soldiers that they kill in order to send a message to whoever finds the soldiers’ bodies.
Chapter 3 then jumps to 1944 in Paris, and we meet Shosanna Dreyfus, a young Jewish woman who owns a movie theater, and here is where Tarantino really starts to show off his cinematic knowledge, so much so that the audience can get the impression that this is a lecture on the history of cinema instead of a movie itself.
Col. Landa shows up again, and then later Lt. Raine and the Inglourious Basterds show up, too, but by now this is no longer a war movie, but an elaborate hoax on the audience because of Tarantino’s rewriting of well-known history.
And remember how I said that Tarantino could have given it a unique title?
INGLOURIOUS BASTERDS could easily have been called OSTENTATIOUS SELF-INDULGENCE.
I’m Dan Culberson and this is “Hotshots.”
Inglourious Basterds – Movie Trailer
Aug 21st
A group of hardened Nazi killers stalk their prey in Nazi-occupied France as a Jewish cinema owner plots to take down top-ranking SS officers during the official premiere of a high-profile German propaganda film. As far as Lt. Aldo Raine (aka Aldo the Apache,” Brad Pitt) — is concerned, the only good Nazi is a dead Nazi. Raine’s mission is to strike fear into the heart of Adolf Hitler by brutally murdering as many goose-steppers as possible, or die trying. In order to accomplish that goal, Lt. Raine recruits a ruthless team of cold-blooded killers known as “The Basterds” which includes baseball-bat-wielding Bostonian Sgt. Donnie Donowitz (aka “The Bear Jew,” Eli Roth) and steely psychopath Sgt. Hugo Stiglitz (Til Schweiger), among others. When the Basterds’ secret rendezvous with turncoat German actress Bridget von Hammersmark (Diane Kruger) goes awry, they learn that the Nazis will be staging the French premiere of “The Nation’s Pride,” a rousing propaganda film based on the exploits of German hero Fredrick Zoller (Daniel Brühl), at a modest theater owned by Jewish cinephile Shoshanna Dreyfus (Melanie Laurent), posing as a Gentile after the brutal murder of her family by the ruthless Col. Hans Landa (Christoph Waltz). As the Basterds hatch an explosive plan to take out as many Nazis as possible at the premiere, they remain completely oblivious to the fact that Shoshanna, too, longs to bring the Third Reich to its knees, and that she’s willing to sacrifice her beloved theater in the process.
