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The Road – Movie Trailer
Nov 25th
A father (Viggo Mortensen) and son make their way across a post-apocalyptic United States in hopes of finding civilization amongst the nomadic cannibal tribes in 2929 Productions’ adaptation of Cormac McCarthy’s thrilling Pulitzer Prize-winning novel The Road. John Hillcoat (The Proposition) directs from a screenplay provided by Joe Penhall. Charlize Theron co-stars in the Dimension Films release.
The Blind Side – Movie Trailer
Nov 20th
Taken in by a well-to-do family and offered a second chance at life, a homeless teen grows to become the star athlete projected to be the first pick at the NFL draft in this sports-themed comedy drama inspired by author Michael Lewis’ best-seller The Blind Side: Evolution of a Game. Michael Oher was living on the streets when he was welcomed into the home of a conservative suburban family, but over time he matured into a talented athlete. As the NFL draft approaches, fans and sports radio personalities alike speculate that Oher will be the hottest pick of the year. Sandra Bullock stars in a film written and directed by John Lee Hancock (The Rookie, The Alamo).
“Pirate Radio” Will Never Sink
Nov 18th
Will Never Sink
“Hotshots” looks at a movie!
PIRATE RADIO is based on the fact that back in the Sixties the British government–meaning “the Establishment”–didn’t approve of rock ‘n’ roll music, and so it wasn’t allowed to be played on traditional radio stations.
As a result of that ban, “pirate” radio stations developed, some even broadcast from ships anchored off the coast of Great Britain and thus outside the law and safe from the long arm of the Establishment. This is one story, which takes place in 1966.
Philip Seymour Hoffman plays The Count, an American disc jockey on one such ship in the North Sea playing rock ‘n’ roll music 24 hours a day to an enthusiastic audience, one of whom isn’t Sir Alistair Dormandy, played by Kenneth Branagh, a government official who spends his time in the film trying to shut down the radio station by the end of the year.
This causes the following response: “They can’t shut us down. We’re pirates!”
There is one woman on board, Felicity, but that is okay, because she is a lesbian, or as one character says, she is “of the lesbionic tendency.”
Serving as the catalyst to the story is Carl, a young 18-year-old lad who has been kicked out of school and sent into the care of his godfather, Quentin, who owns the pirate-radio ship and is also in charge of running it.
Carl’s father had sex with his mum and then left without leaving his name or address, and the search for the identity of Carl’s father is a subplot of the film.
Now, you might think that life aboard a ship would be cramped in terms of a story, but we have many colorful characters, and occasionally Quentin arranges for adoring female fans to be brought aboard in order to meet their favorite deejays–if you know what I mean.
Also, the music might not be historically accurate, but it is great nonetheless.
One disc jockey even gets married, which allows his wife to come live aboard with him, but that causes more problems than he bargained for.
The film doesn’t exactly have a TITANIC ending, but it might be the only time that the expression “rock ‘n’ roll” brings tears to your eyes and a smile to your lips.
PIRATE RADIO also shows that rock ‘n’ roll will never sink.
I’m Dan Culberson and this is “Hotshots.”
