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“Religulous” Lecturing to the Nonreligious
Oct 9th
Lecturing to the Nonreligious
“Hotshots” looks at a movie!
RELIGULOUS (rhymes with “ridiculous is a very funny and thought-provoking documentary about the major religions of the world (with a passing nod to Scientology, even) and how fundamentalists and religious extremists can be seen as, well, ridiculous.
Comedian and satirist Bill Maher narrates the film and conducts interviews all over the planet, talking to leaders and followers of religions in a humorous and thought-provoking attempt to convince the audience that the religions and their followers are, well, ridiculous to believe in such claptrap.
As Maher says right at the beginning, “If there’s one thing I hate more than prophecy, it’s self-fulfilling prophecy.”
Maher himself knows more than a little bit about religion, as he tells us, because his mother was Jewish, his father was Catholic, and his family went to Catholic church every Sunday until Maher was 13, and then they just stopped.
We see Maher talking with his mother and his sister, too, and when he asks his mother about this, he asks her why his father just suddenly quit the church, and she answers, “I don’t know. We never discussed it.”
Maher also questions why believing in something without any evidence is “good” and then answers his own question with “It’s like the lotto. You can’t be saved if you don’t believe.”
And, of course, many people actually believe that. However, Maher also tells us that 16% of Americans say that they belong to no church and are therefore nonreligious.
The graphics are quite good, and many of the interviews are accompanied by film clips from old biblical movies as commentary to what is being said or claimed to be “true.”
We learn that in Italy, which is a very religious country, in a time of crisis, Jesus ranks only sixth as being called upon for comfort by the people. Maher then gets thrown out of the Vatican there.
He also gets thrown off the property in Salt Lake City when his film crew draws attention to what he is doing. If the religious believers don’t watch out, they could be accused of not having a sense of humor.
Although quite humorous, the film ends on a rather serious note as Maher covers religious predictions for the end of the world.
RELIGULOUS (rhymes with “ridiculous is not preaching to the choir so much as lecturing to the nonreligious.
I’m Dan Culberson and this is “Hotshots.”

“Nights in Rodanthe” What’s the Point?
Oct 2nd
What’s the Point?
“Hotshots” looks at a movie!
NIGHTS IN RODANTHE is the latest film to be made from a novel by romance novelist Nicholas Sparks, and if the films are true to his novels, then I would have to say that Sparks has a problem with endings.
The film doesn’t have a problem with casting, as once again Richard Gere is teamed with Diane Lane in a love story.
However, you have heard of a “meet cute”? Their characters “meet long.”
Rodanthe is a little village on the Outer Banks of North Carolina, and the film begins with Adrienne Willis getting ready to leave her home and go to Rodanthe for a weekend in order to take care of her best friend’s home, which is a bed-and-breakfast smack-dab on the beach.
But when her estranged husband arrives to pick up their two teenage children, he surprises and shocks Adrienne by saying, “I want to come home.”
Meanwhile, we see Dr. Paul Flanner finish selling his house in Raleigh and traveling to Rodanthe for the weekend, and we see how just getting there is an adventure.
Paul checks in, saying he might stay as long as four nights, and because he is the only guest, he takes his food from the dining room into the kitchen to eat with Adrienne, saying that he doesn’t want to eat alone.
Well, we can all see where this is heading, can’t we? And when a storm hits and they secure the house against it together, they are drawn toward each other even more.
Now, there is a back story for Paul, and he is in Rodanthe for more than just a weekend vacation, but this serves only to slow down the inevitable ending, right?
Wrong! The back story creates the ending, which is completely unexpected and not true to everything that comes before it. It is not so much a cheap ending as it is a “cheat” ending.
The film is manipulative, because it wants to create a specified feeling in the audience, but it goes on much too long and has that cheat ending.
In fact, you could even say that it is too schmaltzy and has an unsatisfactory ending, but all in all, we have to ask ourselves, what is the point of movies and stories like this?
NIGHTS IN RODANTHE left me asking “What’s the point?”
I’m Dan Culberson and this is “Hotshots.”