Dan Culberson
Dan Culberson is an author, TV performer, editor and publisher who has been writing about culture, politics and religion since 1994. He was graduated Phi Beta Kappa with a B.A. in English literature in the Honors Program from the University of Colorado and was president of the Pi Kappa Alpha fraternity. He was born in Carmel, CA, but grew up all over the U.S. and Europe, living in Monterey, CA: Medford, OR; Lawton, OK (twice); Pampa, TX; Minot, ND; El Paso, TX; Tacoma, WA; Kennewick, WA; Erlangen, Germany; Lebanon, MO; Colorado Springs, CO (where he attended high school); Boulder, CO (where he attended college and now lives); and Heidelberg while serving in the U.S. Army and Sindelfingen, Germany while on assignment for IBM. He served three years in the U.S. Army, retired from IBM after 25 years with a career in publications and is a writer, editor and publisher who came of age in the Sixties, which he remembers quite well. He was named a Boulder Pacesetter in 1985 by the BOULDER DAILY CAMERA in the first year of that program and was a film reviewer from 1972 to 2014 for newspapers, magazines, radio stations and TV programs.
Homepage: http://c1n.tv
Posts by Dan Culberson
“The Host” of Two Minds, One Body
Apr 6th
“Of Two Minds, One Body”
“Hotshots” looks at a movie!
The Host is based on the novel written by Stephenie Meyer, who also wrote the books that were the basis for the Twilight series of films, but this one doesn’t have any vampires or werewolves in it, just aliens.
When the movie opens, Earth has been invaded by an alien race that has inhabited almost every human body, and the humans who haven’t been invaded are on the run.
We learn that the aliens don’t change the worlds they invade, but they just occupy and improve them.
Yeah, right.
We see one young woman being chased by aliens and put up a fight, but she is captured.
An alien known as The Seeker looks down at the captured woman and says, “This one wants to live.”
The mind of the young woman, Melanie, played by Saoirse Ronan, stays active even though her body is taken over by an alien mind.
How do we know this? Because we hear the thoughts of both minds, but you can figure out the problem with this gimmick, can’t you?
Both minds are played by the same actress, therefore they sound exactly alike, and when one of the minds starts thinking, we don’t know if it is the human or the alien speaking.
Also, which mind is in control of the body?
Well, the alien mind says to call her Wanderer, and the human mind, Melanie, dreams, which we see and which fills in her back story, but then the Melanie body escapes when she is being interrogated so that the aliens can find other humans.
We can see the difference between aliens and humans, because the aliens all wear white clothes. The aliens also don’t lie, because they trust each other, and therefore it is easy enough for Melanie to borrow an alien’s car and take off in search of other humans.
However, Melanie and Wanderer get into an argument and one of them crashes the car.
Well, to make a long movie short, Melanie and Wanderer find some humans who are led by Melanie’s uncle, there is a three-way love story, but the movie’s pacing is so slow, what could have been a promising story just drags along.
Also, some famous actors in it are unrecognizable.
The Host is of two minds and one body, just like me about this movie.
I’m Dan Culberson and this is “Hotshots.”
“The Force That Changed America”
Mar 25th
Here’s what gets me.
Star Wars was changed, as you know, and in 1997 could also have been changed to “Twenty years ago in a Hollywood universe far, far away a young man named Lucas fulfilled his vision and managed to make a sappy space opera filled with mythological overtones, innovative special effects and filmmaking techniques that were a throwback to Saturday matinee serials, and young Lucas was also farsighted enough to keep all the merchandising rights for his creation, which became so successful that it changed how we look at movies, how Hollywood makes movies and society itself, which became seduced by the Dark Side of merchandising and greed.”
![5[1]](http://c1n.tv/wp-content/uploads/2012/12/51.jpg)
On May 25, 1977, Star Wars opened in a little over 30 theaters and went on to do blockbuster business, earn obscene amounts of money, spawn many equally successful sequels, make George Lucas a wealthy man and an unequaled force in the entertainment industry and perhaps “single-moviedly” create movie fan clubs and people obsessed with collecting every collectible associated with the movies they could get their hands on.
However, Star Wars is more than just a sappy space opera filled with mythological overtones, innovative special effects and filmmaking techniques that are throwbacks to Saturday matinee serials. It is also a transference of power and importance from one generation to the next, and it might not just be coincidence that the “special edition” came 20 years later, the time of one generation.
If you were one of the millions who stood in line at one of the 1800 theaters in which Star Wars (Special Edition) opened January 31, 1997, you might have noticed how it was not as interesting if you already knew everything that happens and what everything means. Wait! We already knew that from the many, many times we had already seen it, whether in theaters the first time around long, long ago or on TV from either broadcast showings, movie rentals or our own private collections.
We already know that Mark Hamill was a wooden actor, that the story is sappy at the beginning when Luke Skywalker is with his aunt and uncle and that scenes go on way, way too, too long to show us the razzle-dazzle of special effects rather than advancing the story. And we already knew that the superficial banter between Han Solo and Princess Leia is just a cover-up for their mutual attraction.
Yes, we knew how the movie begins, how it middles and how it ends. So, why were we so fascinated to want to see it again when it was already etched in our brains like a historical myth?
Well, that depends on who “we” is. Some of us were (ahem) old, old enough to have seen it the first time around, which means we were probably Baby Boomers and didn’t want to grow any older and were reliving that experience again, which helped us to think we were still that age of 20 years earlier.
Some of us were just old enough to have children, and we probably wanted to see it again with our kids, sort of like passing a sacred totem on to the next generation.
And some of us were (ahem) young, young enough to have never seen it on a large screen, where Lucas maintained it was meant to be seen.
Lucas said he was only 50% to 60% happy with the film 20 years earlier and later he was 80% happy with it. He said, “The only thing I joke about now is it would be fun–and we can’t do this for another 10 years or so–to go back and digitize the entire movie and clean it up.”
May the Force help us!
Was this how we wanted Hollywood to treat our icons? Was this how we wanted movies made and remade as new technology allowed filmmakers to ignore the limitations of their raw material?
Think of Independence Day. Think of Plan 9 from Outer Space. Heck, think of Mars Needs Women.
Star Wars created Hollywood’s obsession with the blockbuster, it created the phenomenon in which merchandising earns more than the box office and it probably has a direct influence on why magazines and newspapers contain more advertising than text over time, companies now sponsor sporting events and even uniforms, and athletes make more money from endorsements than they do from playing their sports.
Star Wars is the Force that changed Hollywood, and as Hollywood goes, so goes America.
I rest my case.
“The Incredible Burt Wonderstone” So Credible, It’s a Cliche
Mar 22nd
“So Credible, It’s a Cliche”
“Hotshots” looks at a movie!
The Incredible Burt Wonderstone may appear to be fresh and original, but if you examine it closely, you will realize that you have already seen this movie many times before.
It has the same plot as many other movies before it, and all you have to do is change the profession, the setting, and whether you want to make it a drama or a comedy.
Here is the basic plot: Two lifelong friends are in business together, they have a falling out when an edgy newcomer arrives on their turf and starts taking business away from them, one of them seeks the advice of the person, now retired, who got them started in the business in the first place, there is a reconciliation in time for a final resolution, and the ending credits.
In this case, the profession is magic and magicians, the setting is modern-day Las Vegas, and the genre is a comedy.
Oh, and because the two magician partners are men, there is also a woman in the story, but in this case she doesn’t come between them, and their falling out isn’t because of her, but because of professional differences.
And let the record show that the quote of note in this movie is when the title character says about the newcomer, “He’s not a real magician, he doesn’t even have a costume.”
So, to fill in the remaining blanks, Steve Carell plays The Incredible Burt Wonderstone; Steve Buscemi plays the lifelong friend and partner Anton Marvelton; Jim Carrey plays the edgy newcomer Steve Gray; Olivia Wilde plays the love interest Jane, although there are many laughs caused by her being called Nicole; and Alan Arkin plays Rance Holloway, the retired magician who caused Burt and Anton to become magicians in the first place when they were kids.
Incidentally, Arkin seems to be the go-to guy in comedies these days, and he doesn’t let us down in this one.
Now, we will see all the standard magicians’ tricks during the course of the movie, but there is one at the end that you probably have not seen before, the disappearing audience trick.
Afterwards, we get to see how that trick is done, and it is more funny than amazing.
The Incredible Burt Wonderstone, however, is not only credible, but it’s so credible, it’s a cliche.
I’m Dan Culberson and this is “Hotshots.”
