Hotshots Movie Reviews
Hotshots Movie Reviews by Dan Culberson
“The Descendants” Is Complicated, Confusing, and Funny
Dec 3rd
“Complicated, Confusing, and Funny”
“Hotshots” looks at a movie!
The Descendants is the latest movie starring George Clooney, but more importantly it is also the latest movie written and directed by Alexander Payne.
Now, you might not be that familiar with his name, but surely you are familiar with at least some of his other films. Payne also directed the 1996 Citizen Ruth, the 1999 Election, the 2002 About Schmidt, and the 2004 Sideways.
Clooney plays Matt King, a lawyer on Hawaii who hasn’t been on a surfboard in 15 years, and one day he finds himself faced with a number of big problems.
He is the trustee for the ownership of 25,000 acres of the last huge portion of virgin beachfront land in Hawaii that is owned by him and his seven cousins, they are trying to decide whether to sell it for development, and if they don’t sell it, the trust dissolves in seven years.
Matt’s wife, Liz, is in a coma from a boating accident, and the doctors don’t know if she will ever recover.
Matt is ready to be a real husband and a real father to his two daughters, but 17-year-old Alexandra and 10-year-old Scottie are becoming more problems than he is sure he can handle.
And on top of all that, Alexandra tells Matt that she saw Liz out with another man, and Matt discovers that Liz was in love with this man and was going to ask Matt for a divorce.
So, when we hear Matt say, “I know I can make things right,” we are not so sure that he can, and therein lies this excellent and very funny movie.
Matt believes that there is something wrong with his daughters, but he starts to bond with Alexandra in ways that he never could before when they begin a mission together to find out who the man is that Liz was having an affair with. Matt says that he just wants to see him, but we have to believe that Matt might want to do more than just that.
And when Matt discovers who the man is and what he does, he also discovers that there might also be a connection that could affect Matt’s decision about selling that huge portion of land that he and his cousins own.
The Descendants is complicated, confusing, funny, and also very excellent.
I’m Dan Culberson and this is “Hotshots.”
“Like Crazy” an Unconventional Love Story
Nov 26th
“Unconventional Love Story”
“Hotshots” looks at a movie!
Like Crazy has a very simple plot: Girl meets boy, girl loses boy, girl gets boy back.
Or does she?
You see, complicating this “simple” love story at first glance is something that we all have encountered at one time or another: bureaucratic red tape, which is more serious in this case because it prevents the girl from getting back into the United States so that she can be reunited with the boy she fell in love with.
Anna is British, Jacob is American, and they meet at a college in Los Angeles where she is studying journalism and he is studying furniture design.
They share a writing class together, and Anna initiates their “meet cute” when she leaves a note to him underneath the windshield wiper of his car in the parking lot.
At the bottom of the note, Anna writes, “P.S. Please don’t think I’m a nutcase.”
So, they get together, discover they have a few things in common, and the first time Anna invites him in for a quiet drink, Jacob remarks that the chair she uses for all her writing is uncomfortable.
Then after we see a series of scenes showing them on numerous dates, having fun, enjoying each other’s company, and obviously falling in love, one day Jacob gives Anna a wooden chair that he designed and built for her, and he shows her that underneath the seat he engraved the words “Like Crazy.”
Well, unfortunately Anna’s student visa is up at the end of the school year, and she is scheduled to go back to England for the summer, but young love prevails, they agree that 2-1/2 months is too long for them to be apart now, and so Anna rashly decides to stay and tells Jacob that they can spend all summer in bed.
However, after Anna does return to England, she gets a job with a magazine, but then when she has a chance to come back to the United States to see Jacob, she is held up in Customs because she had violated her prior visa, and she is immediately sent back to England.
They make half-hearted statements over the telephone to be just friends, but they also both get involved with other people.
Like Crazy is an unconventional love story, and I wasn’t crazy about it.
I’m Dan Culberson and this is “Hotshots.”
“J. Edgar” Guilty of Overdirecting and Overacting
Nov 19th
Official Website
Movie Trailer
“Overdirecting and Overacting”
“Hotshots” looks at a movie!
J. Edgar tells the story of J. Edgar Hoover, longtime director of the Federal Bureau of Investigation, it is the latest film directed by Clint Eastwood, and it is a big disappointment.
First of all, the movie stars Leonardo “Pretty Boy” DiCaprio as the diminutive Hoover, DiCaprio is six feet tall, Hoover was five feet, 7-1/2 inches tall, and although there is one scene that refers to Hoover’s short height, except for when DiCaprio is paired with Armie Hammer, who is six-foot five, Hoover doesn’t look short at all.
Second of all, the movie takes forever to get started, jumping back and forth and in-between in time for no apparent purpose than to try to impress the audience with Eastwood’s cleverness. Eventually we learn that this is the design of the entire movie, but until we realize that, the audience can be asking, “What is this? A history lesson?”
At any rate, I got bored right at the beginning and saw it as too much style and not enough substance, especially when clever cuts between scenes were designed to impress and the continuity became confusing. Titles showing what year we were in would be a considerable help, but I guess Eastwood thought that DiCaprio’s makeup showing him as an old man, young man, and middle-aged man would take care of that problem.
And third of all, the movie confirms only one of the three so-called “scandalous” facts that we now know about Hoover, that he was a mama’s boy, but still leaves open for speculation that he had a homosexual relationship with his longtime Number 2 man, Clyde Tolson, played by Hammer, and that he enjoyed wearing women’s clothing.
Hoover’s mother is played by Judi Dench, and I even yawned during the scene in which after she dies, DiCaprio puts on one of her dresses.
Naomi Watts is unrecognizable as Helen Gandy, Hoover’s longtime private secretary and keeper of the secret files that Hoover maintained on various celebrities and politicians.
And the film keeps going over the famous kidnaping of the son of Charles Lindbergh in endless flashbacks, flashforwards, and flash-in-betweens even after it reveals what the ending of that case was.
Finally, DiCaprio even manages to overact in the scene of him lying dead on his bedroom floor.
J. Edgar is guilty of overdirecting and overacting.
I’m Dan Culberson and this is “Hotshots.”
