Hotshots Movie Reviews
Hotshots Movie Reviews by Dan Culberson

“Rabbit Hole” Movie as Therapy
Feb 15th
“Movie as Therapy”
RABBIT HOLE stars Nicole Kidman and Aaron Eckhart as Becca and Howie Corbett, whose four-year-old son Danny was killed eight months before the movie starts, and so you know it’s not a comedy.
The adaptation from the play of the same name, which won a Pulitzer Prize, is very good, but unfortunately the movie is not.
In fact, you could sum up the story with a simple “Woman loses son offscreen, woman loses husband on-screen, woman gets husband back, they heal.”
Roll credits.
Of course, both Kidman and Eckhart are good in their roles, and Kidman received an Academy Award nomination for Best Actress for this movie, but just as you have heard of a “one-trick pony,” this is a one-note movie.
The title comes from the title of a comic book created by one of the characters in the story, which deals with parallel universes, and Becca tells him that she likes that idea, because then the one we are in might be “just the sad version of us” and that “somewhere out there, I’m having a good time.”
See? Definitely not the feel-good movie of the year.
Becca lies to a neighbor who invites her and Howie over for dinner, saying they already have plans, when they don’t.
She and Howie haven’t talked at all about having another child, and they haven’t even had sex since Danny died.
She drops out of the group therapy sessions for couples who have lost a child that she and Howie have been attending when the discussions include too much God talk for her taste, especially when one grieving mother says that she takes comfort in believing that her child died because God wanted another angel.
And she starts lying to Howie when she befriends the teenage boy who was responsible for Danny’s death.
On the other hand, Howie is not entirely blameless, either, when the growing distance between Becca and him causes him to consider other ways to heal his grief, without telling Becca.
Becca’s grief causes her to lash out at her mother, played by Diane Wiest, and even her sister, who is planning to get married, but then the subplots feel more like failed attempts to add a couple extra notes to this one-note movie more than anything else.
RABBIT HOLE is pretty much movie as therapy.
I’m Dan Culberson and this is “Hotshots.”

“127 Hours” Don’t Try This on Your Own
Feb 2nd
“Don’t Try This on Your Own”
127 HOURS received a number of Academy Award nominations, including Best Picture, Best Adapted Screenplay, Best Film Editing, Best Original Score, Best Original Song, and Best Actor for its star, James Franco.
Franco, of course, plays Aron Ralston, the hiker who in 2003 was hiking by himself in a remote area in Utah when his right arm got pinned underneath a boulder, which he wrote about in his book, BETWEEN A ROCK AND A HARD PLACE.
The most interesting part of the story, of course, is that after failing for days to be able to dislodge the boulder, Ralston amputated his arm with a small knife in order to save himself from dying.
So, if you already know the whole story, you might think, why bother seeing this movie?
Well, because of all those Academy Award nominations, of course, and the way that the story is told on screen by director Danny Boyle.
The story begins on a Saturday with Ralston arriving in the area where he is going to start hiking.
He encounters two young women who are lost, and he tells them how to find the place they are looking for, but they look at him with suspicion.
Realizing why, Ralston removes the bandanna from his face and says, “I’m only a psychopath on weekdays. Today is Saturday.”
While the three of them spend some time together, Ralston tells them that he is an engineer, but hiking in areas like this is what he really wants to do, and he considers this his second home.
The girls invite Ralston to a party the next night at the place where they are staying, they say goodbye, and then the interesting part of the story begins.
Ralston falls in a crevice, and a large boulder dislodges and traps his arm against the rock wall.
The girls are out of shouting distance at this point, and now, you might ask, how can the story be interesting for the rest of the movie?
It might not be if the rest consisted of just grimacing, struggling, frustration, more struggling, more grimacing, even more struggling, and even more grimacing, but don’t forget all those Academy Award nominations and the talents of the writers, director, and actor.
127 HOURS is worth all the awards it receives, but don’t try this on your own.
I’m Dan Culberson and this is “Hotshots.”