Hotshots Movie Reviews
Hotshots Movie Reviews by Dan Culberson
“The Kids Are All Right” Joy Is in the Journey
Jul 29th
“Joy Is in the Journey”
“Hotshots” looks at a movie!
THE KIDS ARE ALL RIGHT is a 2010 comedy about an unconventional family and not to be confused with the 1979 documentary about the rock band The Who, which has a different spelling in its title anyway.
This very good and laugh-out-loud film stars Julianne Moore as Jules, Annette Bening as Nic, and Mark Ruffalo as Paul, and their growing relationships with each other get very complicated, to say the least.
You see, Jules and Nic are lesbians who have been happy together for a very long time. In fact, more than 18 years ago they decided to have a family, and they bought sperm from a sperm bank, with which one of them conceived and gave birth to a daughter and the other gave birth to a son, both from the same sperm donor.
Nic is a doctor and is the more–shall we say–“organized” one in the family, and she keeps pressuring the daughter, Joni, who is 18 and recently finished high school, to write her thank-you notes.
Jules is the free spirit in the family, has recently started her own landscape-design business, and as Nic tells her, “If it was up to you, our kids wouldn’t even write thank-you notes.”
Their son, Laser, is 15, and he convinces his sister Joni to contact the sperm bank and track down their biological father, who is Paul, who donated his sperm between 1991 and 1993 when he was 19.
Paul has an organic co-op farm and a restaurant, and he agrees to meet with Joni and Laser. Afterwards, Joni tells Laser that she thinks that Paul is weird, just because he donated sperm, but as Paul later explains, he donated sperm because he thought it would be more fun than donating blood.
The kids tell their moms about meeting Paul, and Nic insists that they aren’t to see him again until she and Jules meet him.
Paul is invited to dinner at their house so that they all can become acquainted, the women recognize their kids’ facial expressions in Paul’s own expressions, but then what was already a complicated relationship becomes even more complicated when Paul hires Jules to landscape the backyard of his house.
THE KIDS ARE ALL RIGHT is a wonderful film, and its joy lies more in the journey than in its destination.
I’m Dan Culberson and this is “Hotshots.”
This is all just a teaser to the audience, because we won’t find out the meaning of this scene or who the old man is until the end of the film.
“The Girl Who Played with Fire” Case of Sophomore Slump?
Jul 15th
“Case of Sophomore Slump?”
“Hotshots” looks at a movie!
THE GIRL WHO PLAYED WITH FIRE is the second in a trilogy of films based on novels that have become a phenomenon in Sweden and Europe, and Hollywood is working on its own version of the films at this moment.
However, don’t wait for the Hollywood versions when you can enjoy the Swedish films and then compare and contrast later.
Also, see the first film in the trilogy, THE GIRL WITH THE DRAGON TATTOO, first, because the story of all three is chronological, and otherwise you might be unnecessarily confused by characters and events that are explained in the previous film.
This one begins with the anti-heroine and title character Lisbeth Salander entering a man’s apartment late at night while he is asleep and looking for the files that he has on her.
He is Nils Bjurman, and he is Lisbeth’s court-appointed guardian who has to submit a monthly report on how Lisbeth is doing. She awakens Bjurman, threatens him with his own gun, and tells him to send in only positive reports about her or else she will go public with a damaging DVD she has of the two of them together.
After Lisbeth leaves, however, Bjurman calls someone named Zala and tells Zala to kill Lisbeth and return the DVD to Bjurman.
Then two people who were just about to publish an investigative article about the sex trade in Sweden are found murdered, and Lisbeth is the prime suspect, but the police can’t find her.
Neither can Mikael Blomkvist, Lisbeth’s friend and collaborator from the first film, and as he tries to get in touch with her, he discovers more information about this mysterious woman, some of it quite disturbing.
There are plenty of characters, events, and locations to keep the audience guessing about what is going to happen next, but the ending has way too much unnecessary melodrama, especially since we all know that a third installment is coming in the story.
This one also leaves a lot of unanswered questions at the end, one of which is why do filmmakers put white subtitles over a white background, making them almost impossible to read?
THE GIRL WHO PLAYED WITH FIRE is well worth seeing, but not as good as the first film, and I am hoping that it is just another case of sophomore slump.
I’m Dan Culberson and this is “Hotshots.”
