Hotshots Movie Reviews
Hotshots Movie Reviews by Dan Culberson
“Broken Embraces” More Interesting and Terrific As It Goes Along
Feb 4th
More Interesting and Terrific As It Goes Along
“Hotshots” looks at a movie!
BROKEN EMBRACES stars Penelope Cruz in her fourth film with writer-director Pedro Almodovar, and it is a very good romantic mystery that will keep you interested and trying to guess its secrets up until the very end.
The time shifts between 2008 and the early 1990s in Madrid, and the story involves the relationships of a beautiful sexy woman, an old wealthy businessman, and a young handsome filmmaker and how their lives became intertwined.
We first meet Harry Caine, who is blind and who writes movie scripts.
A young woman he has just met is reading the newspaper to him in his apartment, and she reads the notice of the recent death of Ernesto Martel, a famous businessman who had spent some time in prison.
After she has finished reading to him, Harry asks her to describe herself for him, uses his hands to confirm her description, and the next thing we know, they are making love on the couch.
When the young woman is in the bathroom, an older woman named Judit Garcia lets herself into the apartment, and after the young woman has left, Judit confronts Harry about his indiscretion.
Harry says, “All that’s left is for me to enjoy life.”
Judit has a son named Diego, who also helps Harry, even to the point of their trying to write a movie script together. Then when Judit goes away from Madrid for two weeks and Diego has an accident that sends him to the hospital, Harry starts telling Diego the story of the love of his life, Lena, which we see as the details unfold.
It was back in 1994 when Harry met Lena and Ernesto. Harry’s name was Mateo Blanco back then, and he was a movie director.
But most important, he wasn’t blind.
Lena was Ernesto’s mistress, she wanted to act in the movies, and she showed up to audition for Mateo’s next movie, GIRLS AND SUITCASES.
However, Ernesto was extremely jealous of Lena, and so he sent his awkward son to follow Lena wherever she went and film her under the pretext of making a documentary.
You can guess what happened next. Lena got the part, she and Mateo fell in love during the making of the movie, but then what happened?
BROKEN EMBRACES gets more interesting and terrific as it goes along.
I’m Dan Culberson and this is “Hotshots.”
“Extraordinary Measures” Feel-Good Weepie
Jan 28th
Feel-Good Weepie
“Hotshots” looks at a movie!
EXTRAORDINARY MEASURES starts off by stating that it is “Inspired by true events,” and you wonder how that knowledge is supposed to make us feel about the movie.
Is that simply a label of truth in advertising, or have we become so bombarded by so-called “reality television” shows that filmmakers believe that audiences will be more respectful than if the source material were just pure fiction?
At any rate, Brandon Fraser plays John Crowley, who really does exist, and this movie is based on the story of him, his family, and their struggles to achieve something remarkable, whereas Harrison Ford gets second billing in the credits, and his character, Dr. Robert Stonehill, is a composite of the doctors who helped Crowley achieve what he did.
You may even be surprised at how Ford pulls out his acting chops and shows some true emotions.
The movie begins with the birthday party of eight-year-old Megan Crowley, the daughter of John and his wife, Aileen, played by Keri Russell.
Megan is confined to a wheelchair, because she has Pompe disease, a form of muscular dystrophy, which tends to be fatal in children by the time they are nine or ten years old.
Megan gets a cold the next day, but has to go to the hospital, where the doctor tells her parents that she is not responding well.
So, Crowley does some research, and he learns about a scientist in Lincoln, Nebraska, who is working on a cure for Pompe disease. Dr. Stonehill has unusual work habits, and Crowley eventually travels to Nebraska to meet with Stonehill personally.
When Crowley finally manages to find him and tell him about his daughter, Dr. Stonehill says gruffly, “I do research. I don’t see patients.”
Crowley also has a six-year-old son who suffers from the disease, too, and when Stonehill says that half of his grants don’t even get approved, Crowley makes the rash promise that he will raise the necessary $500,000 for Stonehill to complete his laboratory work.
Then the rest of the movie is about how the two men set up their own bio-tech company and their race against time to save Crowley’s children, overcome their difficulties working with each other, and raise the money to become successful.
EXTRAORDINARY MEASURES is a feel-good weepie, but it is a good feel-good weepie.
I’m Dan Culberson and this is “Hotshots.”
“A Single Man” An Unhappy Man
Jan 20th
An Unhappy Man
“Hotshots” looks at a movie!
A SINGLE MAN looks terrific and strives to be momentous, but to steal a line from the legendary animator Chuck Jones, deep down it is pretty shallow.
The time is 1962, and Colin Firth plays George Falconer, a college professor of literature in Los Angeles who is gay.
Firth has already won a Best Actor award for this role and has received other Best Actor nominations, as well.
The story begins one morning when George wakes up, and we hear him say in a voice-over, “For the past six months, waking up has actually hurt.”
You see, six months earlier George’s lover, Jim, was killed in an automobile accident, and George’s heart was broken. George can’t see his future, but today, he has decided, will be different.
George gets dressed, and he puts a novel by Aldous Huxley and an empty revolver in his briefcase, which appear to be ominous, but all will be explained later.
Throughout the film, we see unsettling images that don’t appear to have anything to do with the story, and we also get flashbacks that represent George’s memories of his life with Jim and the 16 years that they were together.
When George arrives at his office, a secretary tells him that she had given his home address that morning to a student who had asked for it. That student turns out to be Kenny, a young man in George’s literature class, and Kenny will keep turning up in the story.
Julianne Moore plays Charlotte, who also plays an important role in the story, and who is a close friend of George’s and the first one he turned to for comfort the night he was informed of Jim’s death.
There are also interactions with a neighbor family that don’t seem to have anything to do with the story except to establish that George isn’t very sociable on this day, which he admits is kind of a serious day for him.
George claims that he is exactly what he appears to be, if you look closely enough, but he does have some surprises for the audience in his behavior on this day in his life.
A SINGLE MAN is simply a day in the life of an unhappy man, but the story is past its prime in terms of shock value in every aspect.
I’m Dan Culberson and this is “Hotshots.”
