Hotshots Movie Reviews
Hotshots Movie Reviews by Dan Culberson
“Surrogates” Derivatives
Sep 30th
Derivatives
“Hotshots” looks at a movie!
SURROGATES is a classy looking science-fiction thriller starring Bruce Willis, and the first thing you are going to notice is all the weird-looking blond hair he has.
No, wait! That isn’t Willis’s character with all the hair. That is his surrogate, a realistic android that most people use to go out into society in place of them while the owners stay at home in a room hooked up to a device that allows them to be the “operators,” the eyes, ears, mouth, and flesh of their surrogate.
So, right away the audience is going to be confused between knowing what is a surrogate and what is a real person, and that confusion is going to result in more than one plot point.
Now, here is where I should say that the film is based on a series of comic books–Excuse me! “graphic novels”–called “The Surrogates,” written by Robert Venditti, who went to college with the dream of becoming a novelist.
In fact, in an interview Venditti said, “I was going to be the next Hemingway.”
Venditti is 35, and I am surprised he even knows anything about Ernest Hemingway.
Anyway, back to our movie.
Willis and his surrogate play FBI Agent Tom Greer, who are investigating a seemingly random murder that involves an unregistered surrogate.
Agent Greer has a partner, Agent Jennifer Peters, and she is a beautiful young woman played by Radha Mitchell.
After all, this is based on a comic book, remember?
Their investigation leads them to Dr. Canter, played by James Cromwell, the man who invented surrogates and ran the company that built them.
But before you say, “Uh oh! Wasn’t this already done in the 1982 BLADE RUNNER?” you are going to be reminded of the 2002 MINORITY REPORT when we learn about Agent Greer’s dead son.
And, in fact, when Cromwell shows up, you are also going to be reminded of the 1996 STAR TREK: FIRST CONTACT.
Now, I used to make fun of recycled plots by saying that Hollywood has run out of ideas. Now I am going to say that writers have run out of ideas.
The frame of reference for young writers isn’t literature anymore. It is old movies, and by “old,” I mean within the past 30 years.
SURROGATES is not bad, but should be called DERIVATIVES.
I’m Dan Culberson and this is “Hotshots.”
“The Informant!” More Twists Than a Drunken Snake
Sep 24th
More Twists Than a Drunken Snake
“Hotshots” looks at a movie!
THE INFORMANT! is based on the true story of a whistle-blower in a giant corporation about an international price-fixing scheme, but it is much more than that.
It’s also a lough-out-loud comedy directed by Steven Soderbergh, who previously directed the 2000 ERIN BROKOVICH in all seriousness, but also directed the recent OCEAN’S movies as goofy crime capers.
Matt Damon stars as Mark “Corky” Whitacre, a high-level executive in Archer Daniels Midland, an Illinois-based agribusiness conglomerate. In 1992 a series of events leads him to believe that there is a “mole” in the company who is feeding information to the company’s Japanese competitors, thereby prompting the Japanese to request $10 million to reveal the identity of the mole and also correct another problem Corky’s company has with a virus.
Corky goes to the FBI, and when they question what his motive is, he says, “I’m trying to do the right thing here.”
The FBI is suspicious, because Corky is making $350,000 a year, and he becomes an informer on his own company. Again, he says, “Things are going on, I don’t approve of.”
Corky is only too happy to carry a concealed recorder to meetings in order to obtain evidence against his own company, because he believes that when all of this is over, he will be rewarded by being made the next president of the corporation.
No, Corky is not the smartest rung on the ladder, and he gives hilarious running commentary in internal monologues as the events unfold.
However, when the audience catches Corky in a lie to the FBI agents who are working with him, the audience thinks “Not so fast!” at this unusual and unexpected turn of events.
The FBI agents follow Corky to business meetings all over the world, and they become exasperated at Corky’s ineptness at being a spy, even though Corky brags that he is “Agent 0014,” because he is twice as smart as “007.”
Then something happens that causes the audience to think “Not so fast!” again.
So, hold onto your seats, because something else happens that causes a “Not so fast!” a third time.
In fact, as the film races to its conclusion, “Not so fast!” keeps coming again and again.
THE INFORMANT! takes more twists and turns than a drunken snake in a maze and is very rewarding.
I’m Dan Culberson and this is “Hotshots.”
“The September Issue” Over The Top
Sep 16th
Over the Top
“Hotshots” looks at a movie!
THE SEPTEMBER ISSUE is an excellent documentary about the making of the September 2007 issue of VOGUE magazine and its legendary editor-in-chief Anna Wintour, said to be the inspiration for the Meryl Streep character in the 2006 THE DEVIL WEARS PRADA.
Wintour is called the single most important figure in the $300 billion fashion industry. That is a lot of dresses, shoes, accessories, makeup, a lot of woman, and by that I don’t mean Wintour, but all the women all over the world, as well as the ones in every man’s life.
Now, I know what you are thinking: “Sure, women will like this movie, because it is all about fashion and clothes, but will men like it, too?
Of course, women will love it for the fashion, and men will love it for the beautiful models. You will see beautiful outfits on beautiful women and ugly, atrocious outfits on beautiful women.
As someone in the film says, “Anna is the most powerful woman in the United States.”
Why? Because Vogue is the so-called “Bible” of the fashion industry, and if VOGUE–meaning Anna Wintour–gets behind something, it sells.
However, as Anna herself says at the beginning of the film, “There is something about fashion that can make people very nervous.”
The film begins in 2007 in New York City, and we see what goes into the making of the September issue of the magazine, because “September is the January in fashion.” A film crew was given access to everything, including the offices, the private lives of the editors and creative directors, the photo sessions, and the trips to Paris, Rome, and London for the fashion shows, meetings, and photo shoots for the cover with actress Sienna Miller.
The film also spends a lot of time with Grace Coddington, the magazine’s creative director and “resident genius,” as TIME magazine called her.
She and Anna started working at the American VOGUE on the same day 20 years ago, and Grace serves as some of the comic relief in the seriousness of the film, as we see her frustration after spending a lot of time and money on portions of the magazine only to have Anna take them out at the last minute or order a reshoot.
THE SEPTEMBER ISSUE is over the top, but fascinating, just like fashion.
I’m Dan Culberson and this is “Hotshots.”
