These are video movie reviews, movie trailers, and websites of the latest movies. The C1N Movie section includes Dan Culberson’s Hotshots Movie Reviews with a new review every week. We also show our C1N trailer pick of the week by Aaron Smith which is about 40 years younger than Dans taste. Show times and ticket avails are up. Look for film festivals, movie news, events, and news about the pictures here too.
As co-directed by Mark Linfield and Alastair Fothergill, the nature documentary Earth represents an edited-down version of the 12-hour small-screen miniseries Planet Earth, reslated for cinematic release. The program provides a sweeping 99-minute tour of our home planet’s biosphere — spanning every level of gaze, from the epic (crystal-clear shots of the Earth hovering in space) to the hyper-specific (a mother polar bear and her cubs waking from a lengthy period of hibernation). The film almost exclusively emphasizes the behavior of the animal populations that inhabit the Earth, yet carefully omits shots that depict the more gory predatory behavior of species, rendering it family-friendly. It also employs a chronological approach — beginning in January in the Arctic wilderness, and moving progressively through the four seasons and 12 months comprising a single year, until it hits late December — contrasting various geographic regions of the Earth as shot in various seasons. Above all else, a cautionary message underscores this footage; as in An Inconvenient Truth, the filmmakers continually remind their audience that despite the grandiloquence present onscreen, all may be lost if humankind is not careful.
Boy A director John Crowley followed up that award-winning film festival favorite with this eerie yet eloquent drama concerning a young boy fascinated by death due to the fact that he lives in the hospice home for the elderly that’s owned by his parents. Perhaps due to the morose surroundings in which he was raised, wide-eyed Edward (Son of Rambow star Bill Milner) possesses both an acute sense of death and an obsessive desire to find out what happens after we pass on from this life. These interests are most noticeably evident in Edward’s ongoing fascination with the paranormal, an obsession that his overworked parents merely tolerate as the curious boy makes his way around the hospice with a tape recorder determined to better understand the concept of mortality. Suddenly, into Edward’s world rolls embittered, burned-out ex-magician Clarence (Michael Caine) — who makes no attempts to hide the fact that he’s not in the hospice by his own free will. Clarence has long since ceased to practice his trade, and no longer possesses the ability to recognize anything positive in either his surroundings or the people who inhabit them. He’s irascible, ornery, and indignant, and he’s just barely able to tolerate the young boy who’s so interested in the one topic that plagues his thoughts most — death. Before long, however, these two outsiders discover that their mutual need to make sense of the world means they have more in common than initial appearances would suggest. Soon embarking on a series of comic misadventures that help them both to better understand the many mysteries of life, Edward and Clarence form an unlikely bond that provides them both with the comfort they so desperately need during this uncertain stage in each of their lives.
The Last King of Scotland director Kevin McDonald teams with screenwriter Matthew Michael Carnahan for this American adaptation of the hit British miniseries concerning the suspicious circumstances that set a rising congressman and a dogged reporter on a dangerous collision course. U.S. congressman Stephen Collins (Ben Affleck) is handsome, unflappable, and ascending the ladder of power with unprecedented speed. He’s the future of his political party, and as the chairman of a committee assigned to oversee defense spending, he’s got all the right connections. As the presidential race draws near, Washington insiders begin to speculate that Collins will earn his party’s nomination for the country’s top job. The prospect of Collins becoming president seems less and less likely, however, when his research assistant/mistress is viciously murdered, and some unsavory truths begin to surface. Collins was once a close friend to Cal McAffrey (Russell Crowe), now a top reporter in the nation’s capital. Assigned the task of investigating Collins by his ruthless editor, Cameron (Oscar winner Helen Mirren), McAffrey recruits fellow reporter Della (Rachel McAdams) in order to track down the truth and identify the killer. But McAffrey has just walked into a cover-up of unprecedented proportions, and in a game where billions of dollars are at stake, life, love, and integrity are luxuries that simply cannot be afforded.