Posts tagged Academy Award
The Company You Keep – Movie Trailer
Apr 28th
Jim Grant (Robert Redford) is a public interest lawyer and single father raising his daughter in the tranquil suburbs of Albany, New York. Grant’s world is turned upside down,when a brash young reporter named Ben Shepard (Shia LaBeouf) exposes his true identity as a former 1970s antiwar radical fugitive wanted for murder. After living for more than 30 years underground, Grant must now go on the run. With the FBI in hot pursuit, he sets off on a cross-country journey to track down the one person that can clear his name.
Shepard knows the significance of the national news story he has exposed and, for a journalist, this is an opportunity of a lifetime. Hell-bent on making a name for himself, he is willing to stop at nothing to capitalize on it. He digs deep into Grant’s past. Despite warnings from his editor and threats from the FBI, Shepard relentlessly tracks Grant across the country.
As Grant reopens old wounds and reconnects with former members of his antiwar group, the Weather Underground, Shepard realizes something about this man is just not adding up. With the FBI closing in, Shepard uncovers the shocking secrets Grant has been keeping for the past three decades. As Grant and Shepard come face to face in the wilderness of the Upper Peninsula of Michigan, they each must come to terms with who they really are.
One of Hollywood’s most acclaimed filmmakers and actors, Oscar®- winning director Robert Redford (Ordinary People; Quiz Show; The Sting) directs and heads an all-star ensemble that includes Shia LaBeouf (Transformers: Dark of the Moon) as determined reporter Ben Shepard, and Academy Award®-winner Julie Christie (Red Riding Hood) as Mimi Lurie, the woman inescapably linked to Grant’s past and his future. The cast also includes various figures tied to Grant’s previous life as an antiwar radical: Sam Elliot (Up In The Air) as Mimi Lurie’s current partner, Mac McLeod; Oscar®-nominee Richard Jenkins (The Visitor) as respected history professor Jed Lewis; Oscar®-nominee, Nick Nolte (Warrior) as the ever-loyal Donal; and Oscar®-winner Susan Sarandon (Thelma & Louise; Dead Man Walking) as housewife-cum-fugitive, Sharon Solarz, whose dramatic arrest sets the story in motion.
Additional cast members include: Oscar® winner,Chris Cooper (Adaptation) as Grant’s brother, Daniel Sloan; Jackie Evancho (America’s Got Talent) as Grant’s daughter, Isabel; Golden Globe nominee Brendan Gleeson (The Guard; In Bruges) as Henry Osborne, a retired police chief harboring secrets of his own; Brit Marling (Another Earth; Sound of My Voice) as Osborne’s daughter, Rebecca; Oscar® nominee Anna Kendrick (50/50; Up in the Air) as Diana, a junior FBI agent; Oscar® nominee Stanley Tucci (The Hunger Games) as Shepard’s editor, Ray Fuller; and Oscar® nominee Terrence Howard (Hustle & Flow) as Cornelius, a senior FBI agent determined to bring Grant to justice.
THE COMPANY YOU KEEP is based on the novel by Neil Gordon and adapted for the screen by Lem Dobbs (Haywire). The film is directed by Robert Redford. It is produced by Academy Award® winner Nicolas Chartier (The Hurt Locker), Robert Redford and Bill Holderman (The Conspirator; Lions for Lambs). The executive producers are Craig J. Flores (Immortals) and Shawn Williamson (50/50).
Admission – Movie Trailer
Mar 25th
Tina Fey (30 Rock) and Paul Rudd (This is 40) are paired for the first time on-screen in Admission, the new comedy/drama directed by Academy Award nominee Paul Weitz (About a Boy, In Good Company), about the surprising detours we encounter on the road to happiness.
Every spring, high school seniors anxiously await letters of college admission that will affirm and encourage their potential. At Princeton University, admissions officer Portia Nathan (Tina Fey) is a gatekeeper evaluating thousands of applicants. Year in and year out, Portia has lived her life by the book, at work as well as at the home she shares with Princeton professor Mark (Michael Sheen). When Clarence (Wallace Shawn), the Dean of Admissions, announces his impending retirement, the likeliest candidates to succeed him are Portia and her office rival Corinne (Gloria Reuben). For Portia, however, it’s business as usual as she hits the road on her annual recruiting trip.
On the road, Portia reconnects with her iconoclastic mother, Susannah (Lily Tomlin). On her visit to New Quest, an alternative high school, she then reconnects with her former college classmate, idealistic teacher John Pressman (Paul Rudd) – who has recently surmised that Jeremiah (Nat Wolff), a gifted yet very unconventional New Quest student, might well be the son that Portia secretly gave up for adoption years ago while at school. Jeremiah is about to apply to Princeton.
Now Portia must re-evaluate her personal and professional existences, as she finds herself bending the admissions rules for Jeremiah, putting at risk the future she thought she always wanted – and in the process finding her way to a surprising and exhilarating life and romance she never dreamed of having.
“Amour” Is Difficult, but Thought-Provoking
Feb 10th
“Difficult, but Thought-Provoking”
“Hotshots” looks at a movie!
Amour means “love,” “affection,” or “passion” in French, and although the film has dialogue in French with English subtitles and it was nominated for an Academy Award for Best Foreign Language Feature, it was not submitted by France, but rather by Austria.
The reason is that the director, Michael Haneke, is Austrian, not French, and so one could say that not everything is at it seems with this film, which goes for the simple story itself.
The film was also nominated for four other Academy Awards, Best Picture, Director, Original Screenplay, and Actress, and in 2012 it won the top prize at the Cannes Film Festival, which suggests that this is a well-respected, classy film.
But not everything is as it seems.
For example, you might believe you already know how it ends from reading about it and especially from seeing the opening scene.
But there is much more to it than that an old woman dies.
The woman is Anne, she has a stroke at the beginning of the film, and when she returns home, she says to her husband, Georges, “Promise me one thing. Never take me back to the hospital.”
She is partially paralyzed on the right side of her body, and as Georges begins to care for her at home and as Anne’s condition becomes worse, keeping that promise becomes more and more difficult.
The action occurs almost entirely inside their apartment in Paris, and although other characters come and go, the events consist mostly of Georges’s problems taking care of Anne as her physical condition gets worse.
It sounds boring, doesn’t it, especially since you believe you already know how it is going to end.
But not everything is as it seems.
For example, there are a couple of scenes that end with a planned shock to the audience, and one you might not have seen coming. There are also a couple of scenes that have to have been either fantasizing by one of the characters or the result of the director and screenwriter playing with the audience.
However, after the film is over, you realize that thinking about these scenes adds depth and meaning to the film.
In other words, keep remembering that not everything is as it seems with this award-winning film.
Amour is difficult to watch, but also very thought-provoking.
I’m Dan Culberson and this is “Hotshots.”