Posts tagged access
“The Woman in Black” Is a Movie in Trouble
Feb 11th
A Movie in Trouble
“Hotshots” looks at a movie!
The Woman in Black is a traditional ghost story, and of all the movies about ghosts that have ever been made, this is one of them.
In fact, the only reason to see this yawner with all the tricks and twists and turns of a traditional ghost story is to see Daniel Radcliffe trying to act like an adult in his first starring film role after the “Harry Potter” movies ended in 2011.
Now, seeing as how this is a story about ghosts that wants the audience to take it seriously and realistically, you have to ask yourself one question: “Do you believe in ghosts?”
Well, do you? And then ask yourself more questions.
Radcliffe plays Arthur Kipps, who works for a law firm in London in either the late 1890s or the early 1900s, whose wife died four years earlier while giving birth to their son, Joseph.
Arthur is sent to a little village in northern England to go through the papers of an old woman who died and report if the law firm should take over the house that she left, which is known as the Eel Marsh House and sits on a piece of land whose only access by road is covered by water whenever the tide comes in.
Arthur is told that this assignment is to prove his worth to the head of the law firm and is his “final warning.”
When Arthur arrives at the village, he gets no cooperation at all from the villagers except for one man, Sam Daily, whose son died many years ago, and whose wife could only be called crazy.
In fact, many children in the village have died, and Arthur eventually learns that there is a connection between their so-called “accidental” deaths and the appearance of a mysterious “woman in black” who is seen occasionally and who has a connection with Eel Marsh House.
Well, naturally Arthur stays at the house to go through all the old woman’s papers, scary things naturally happen, and naturally Arthur sees the woman in black more than once, along with many more mysterious events.
Of course, there are many cheap audio and visual shocks designed to scare the audience, but it is possible not to be scared.
The Woman in Black is a movie in trouble with a really cheap ending.
I’m Dan Culberson and this is “Hotshots.”
“Limitless” More Like ‘Overblown’
Mar 29th
LIMITLESS takes its title from the idea of how many opportunities are available to us if we were able to use 100% of our brains instead of the mythological 20% that we use in our everyday lives.
However, scientists say that we already use 100% of our brains, and so the premise of the movie needs a better explanation.
Bradley Cooper plays Eddie Morra, a writer with a book contract, but he looks more like someone with an alcohol or drug problem.
That might be because he doesn’t act like a writer, either, because he is behind on his book, having written only one word, and that word is the first-person, singular pronoun “I.”
Eddie gets even more down on his luck when his girlfriend Lindy breaks up with him, but then his life changes dramatically when he accidentally meets the brother of his ex-wife on the street.
Vernon tells Eddie that he is working for a company that has come out with a new pill called NZT48 that lets you access 100% of your brain, but then he gets interrupted by a phone call and has to leave.
However, Vernon gives Eddie his business card and one of the NZT pills “on the house,” saying that they normally cost $800 apiece.
And the rest, as they say, is this movie.
Special effects show an impression of what happens to Eddie when he takes the pill. “I wasn’t ‘high,’ I was just clear,” he tells us in voice-over narration. “I knew what I wanted to do and how to do it.”
And he does. The next morning, the effects of the pill have worn off, and Eddie gives his book manuscript to his publisher, saying that if she doesn’t like it, he will return the advance.
Then when Vernon doesn’t return Eddie’s calls, Eddie goes to see Vernon with the objective of getting more pills.
And here is where the movie starts leaving the audience with unanswered questions.
Here is also where more characters enter the story, including a Russian loan shark and his hooligans, a financial businessman played by Robert De Niro, a mysterious man who seems to be following Eddie around New York City, and even Eddie’s ex-wife, Melissa.
LIMITLESS makes a thriller out of limitless opportunities, but it is more like “overblown” with unanswered questions.
I’m Dan Culberson and this is “Hotshots.”
“The September Issue” Over The Top
Sep 16th
Over the Top
“Hotshots” looks at a movie!
THE SEPTEMBER ISSUE is an excellent documentary about the making of the September 2007 issue of VOGUE magazine and its legendary editor-in-chief Anna Wintour, said to be the inspiration for the Meryl Streep character in the 2006 THE DEVIL WEARS PRADA.
Wintour is called the single most important figure in the $300 billion fashion industry. That is a lot of dresses, shoes, accessories, makeup, a lot of woman, and by that I don’t mean Wintour, but all the women all over the world, as well as the ones in every man’s life.
Now, I know what you are thinking: “Sure, women will like this movie, because it is all about fashion and clothes, but will men like it, too?
Of course, women will love it for the fashion, and men will love it for the beautiful models. You will see beautiful outfits on beautiful women and ugly, atrocious outfits on beautiful women.
As someone in the film says, “Anna is the most powerful woman in the United States.”
Why? Because Vogue is the so-called “Bible” of the fashion industry, and if VOGUE–meaning Anna Wintour–gets behind something, it sells.
However, as Anna herself says at the beginning of the film, “There is something about fashion that can make people very nervous.”
The film begins in 2007 in New York City, and we see what goes into the making of the September issue of the magazine, because “September is the January in fashion.” A film crew was given access to everything, including the offices, the private lives of the editors and creative directors, the photo sessions, and the trips to Paris, Rome, and London for the fashion shows, meetings, and photo shoots for the cover with actress Sienna Miller.
The film also spends a lot of time with Grace Coddington, the magazine’s creative director and “resident genius,” as TIME magazine called her.
She and Anna started working at the American VOGUE on the same day 20 years ago, and Grace serves as some of the comic relief in the seriousness of the film, as we see her frustration after spending a lot of time and money on portions of the magazine only to have Anna take them out at the last minute or order a reshoot.
THE SEPTEMBER ISSUE is over the top, but fascinating, just like fashion.
I’m Dan Culberson and this is “Hotshots.”