Posts tagged Documentary
The September Issue – Movie Trailer
Sep 11th
Vogue has been the most powerful and best-respected fashion magazine in the world for decades, and each year the journal devotes a fall issue to the designs and designers that the editors feel will be influential in the coming year. The September 2007 issue of Vogue, that year’s annual Fall Fashion issue, became the biggest single issue in the magazine’s long history, and filmmaker R.J. Cutler was given unprecedented access to Vogue’s creative team as the issue was being prepared. The September Issue is a documentary which focuses on Vogue editor Anna Wintour as she visits the annual Fashion Week shows, accepts or dismisses the latest creations of the biggest names in fashion, works with the models, photographers, and writers who help bring her vision to the page, and labors with her staff to determine what the world’s fashionistas will be wearing for the next 12 months. The September Issue received its world premiere at the 2009 Sundance Film Festival, where it received an award for excellence in documentary cinematography.
“Earth” Tears to Your Eyes
Apr 30th
Tears to Your Eyes
“Hotshots” looks at a movie!
EARTH is a beautiful film that covers the globe from the Arctic to Antarctica and focuses on a family of polar bears, elephants, and humpback whales in the process.
To do so, dozens of film crews used 200 locations in 64 countries, and the result is magnificent.
The film begins in January in the high Arctic where there has been no sun for months.
The narrator, James Earl Jones, says, “Every living thing is waiting.”
Then we see a mother polar bear and her two cubs come our of their den. The mother hasn’t eaten in five months and has lost half her body weight, we are told.
In the meantime, we also see the father polar bear in his solitary search for food, which becomes increasingly difficult because of the melting polar ice.
We see herds of caribou in migration across the tundra and the wolves who shadow them.
At this point, you might ask, “How did they manage to film this?” Stick around for the closing credits, and you will see how those shots were made and some of the dangers that the film crews encountered.
We see baby ducklings and their first flying experience out of the tree, or more accurately, as the narrator says, “falling with style.”
Then we are in the Tropics, where the sun shines 12 hours a day every day, and we see the Birds of Paradise in New Guinea. You can try to ignore the cheap jokes and comments from the narrator, but it is also hard to forget that he was also the voice of Darth Vader, remember?
We travel to the dry season in the Kalahari Desert in southern Africa and pick up a mother elephant and her calf struggling to keep up with the herd on their search for water.
We watch the drama unfold between the hunter and the hunted in extreme slow motion.
The pictures of scenery are majestic and make you appreciate what a wonderful planet we live on, as well as how fragile and dangerous life on it is for us all.
The final family we track is a mother humpback whale and her calf, who have to travel 4,000 miles from their breeding ground to Antarctica in search of food.
EARTH is so moving that it brings tears to your eyes.
I’m Dan Culberson and this is “Hotshots.”
Earth – Movie Trailer
Apr 22nd
As co-directed by Mark Linfield and Alastair Fothergill, the nature documentary Earth represents an edited-down version of the 12-hour small-screen miniseries Planet Earth, reslated for cinematic release. The program provides a sweeping 99-minute tour of our home planet’s biosphere — spanning every level of gaze, from the epic (crystal-clear shots of the Earth hovering in space) to the hyper-specific (a mother polar bear and her cubs waking from a lengthy period of hibernation). The film almost exclusively emphasizes the behavior of the animal populations that inhabit the Earth, yet carefully omits shots that depict the more gory predatory behavior of species, rendering it family-friendly. It also employs a chronological approach — beginning in January in the Arctic wilderness, and moving progressively through the four seasons and 12 months comprising a single year, until it hits late December — contrasting various geographic regions of the Earth as shot in various seasons. Above all else, a cautionary message underscores this footage; as in An Inconvenient Truth, the filmmakers continually remind their audience that despite the grandiloquence present onscreen, all may be lost if humankind is not careful.