Posts tagged family
The Last House on the Left – Movie Trailer
Mar 13th
A pair of teenage girls are brutally raped and terrorized by a vicious gang of psychopaths, who subsequently find their cruelty returned tenfold when they seek sanctuary in the home of one of the victim’s parents in this contemporary reworking of Wes Craven’s controversial 1972 shocker. Shortly after arriving at her family’s secluded lake house, Mari Collingwood (Sara Paxton) and her best friend are abducted by a sadistic prison escapee and his violent crew. Left for dead and nearly in shock after suffering unspeakable abuse at the hands of her captors, Mari realizes that her only hope for survival is to find her way back home. Unfortunately for Mari, her attackers have unwittingly arrived at her parents’ home seeking shelter from the authorities. There, Mari’s concerned parents, John (Tony Goldwyn) and Emma (Monica Potter), realize to their horror just what grim fate has befallen their beloved daughter. Suppressing their rage in order to lure the killers into a deadly trap, John and Emma quietly hatch a plan to make the three strangers suffer for their grisly transgressions.
“Friday the 13th” Cheap Excuse
Mar 4th
Cheap Excuse
“Hotshots” looks at a movie!
FRIDAY THE 13TH (2009) is a movie so bad that only a few groups of people will want to see it: friends and family of the cast and crew, movie reviewers, and, oh yeah, TEENAGERS.
The original version came out in 1980, and so any teenagers who saw that movie when it was released would be in their forties now, and they might want to see just how it has been updated, but the only reason that I saw it was that the equipment broke down for the movie that I intended to see and review.
Another group of people who might want to see it are those voyeurs who enjoy lots of shots of bare boobies and gruesome murders, but most of them are probably teenagers anyway.
The story begins on June 13, 1980, at a place called Crystal Lake. and we see a woman crazed by grief confront some other people and shouting, “Jason was my son! You should have been watching him!”
Jason, of course, is Jason Voorhees, the mad slasher in this series of slice-and-dice teenage thrillers, the one who wears a hockey mask as if he is afraid that his victims might be able to identify him.
Then we jump forward to “Present Day” at Crystal Lake and watch the first group of victims, consisting of three guys and two girls, and then get way too much exposition about the first series of murders.
Well, guess what happens.
Then it is six weeks later and seven more campers show up, as well as Clay, the brother of one of the girls who is still missing from the first group six weeks earlier.
This group, however, isn’t camping out in the woods, but staying in the fancy cabin owned by the family of one of them, a real obnoxious jerk who you just can’t wait for him to get his.
As always, the only suspense is which one will be killed first and which one will be the survivor.
Now, however, we get some topless water-skiing along with the not-so-scary individual trips up into an attic or out to the toolshed in the dark.
FRIDAY THE 13TH (2009) will probably be loved by teenagers but hated by everybody else, because it is just a cheap excuse for profanity, nudity, and other teenage thrills, and I am not a teenager.
I’m Dan Culberson and this is “Hotshots.”
“Revolutionary Road” Death of the American Dream
Feb 19th
Death of the American Dream
“Hotshots” looks at a movie!
REVOLUTIONARY ROAD has admirable qualities, but it is also a disappointment in many more ways than one.
Admirable, of course, is that it stars Leonardo DiCaprio and Kate Winslet, it was directed by Winslet’s husband, Sam Mendes, and it is based on the acclaimed 1961 novel by Richard Yates.
One of the disappointments is built into the story, which takes place in 1955 and is about what was known as “the American Dream.”
According to BREWER’S DICTIONARY OF PHRASE & FABLE, the American Dream is “a phrase epitomizing the democratic ideals and aspirations on which America had been founded, the American way of life at its best,” and back then that included a happy marriage, two children, a house in the suburbs, and a fulfilling job that is rewarding.
When the film opens, we see Frank and April meet at a party in New York City. Frank is a veteran of World War II, and April is studying to be an actress.
We skip ahead to when they are already married and April is appearing in a community-theater production with disappointing, humiliating results. Frank says to April, “Well, I guess it wasn’t exactly a triumph or anything, was it?”
On the way home, they get into an argument, Frank stops the car, he calls her “sick,” and she calls him “disgusting.”
Then we see a flashback to when they bought their house in Connecticut on Revolutionary Road.
Frank commutes to his boring job in New York City, and on his 30th birthday he does something that we hope is out of character.
April believes that Frank is the most interesting person she has ever met, and she tells him her idea that will change their lives forever. She wants to sell their house and everything else they have, move the family to Paris, and she will work to support the family while Frank will have all the time he needs to figure out what he wants to do.
Frank agrees, because their whole existence is that they are different from everyone else and that they are “special.”
However, they aren’t really special; they just think they are and have deluded themselves into believing that, especially when something happens at work that makes Frank get cold feet about Paris.
REVOLUTIONARY ROAD is the death of the American Dream with many false endings.
I’m Dan Culberson and this is “Hotshots.”