Posts tagged history
“Inglourious Basterds” Ostentatious Self-Indulgence
Aug 27th
Ostentatious Self-Indulgence
“Hotshots” looks at a movie!
INGLOURIOUS BASTERDS is intentionally misspelled, because writer-director Quentin Tarantino wanted that title for his latest movie, but also wanted to differentiate it from the 1978 Italian movie of the same name, which just shows how easily he could have given it a unique title.
I’ll tell you what that unique title could have been later on.
The film is divided into five chapters, which are identified at the beginning of each section, and Chapter 1 takes place in 1941 in Nazi-occupied France.
Col. Hans Landa, a German SS officer played brilliantly by Austrian actor Christoph Waltz, shows up with his men at a small dairy farm to question the owner in private.
Waltz has already won the Best Actor award at the 2009 Cannes Film Festival, and he is sure to be nominated for and to win many more similar awards for this role.
Col. Landa is charged with finding and killing Jews in France, and he suspects that the farm owner he is questioning can provide him with information about the last Jewish family unaccounted for in the neighborhood.
Chapter 2 then shows the title characters, who are a squad of Jewish- American soldiers who have been dropped behind enemy lines in France and are led by Lt. Aldo Raine, played by Brad Pitt in a surprisingly comic role.
Lt. Raine tells his men, “We’re here to do one thing and one thing only: Killing Nazis.”
Well, that’s not entirely true, because they also scalp the German soldiers that they kill in order to send a message to whoever finds the soldiers’ bodies.
Chapter 3 then jumps to 1944 in Paris, and we meet Shosanna Dreyfus, a young Jewish woman who owns a movie theater, and here is where Tarantino really starts to show off his cinematic knowledge, so much so that the audience can get the impression that this is a lecture on the history of cinema instead of a movie itself.
Col. Landa shows up again, and then later Lt. Raine and the Inglourious Basterds show up, too, but by now this is no longer a war movie, but an elaborate hoax on the audience because of Tarantino’s rewriting of well-known history.
And remember how I said that Tarantino could have given it a unique title?
INGLOURIOUS BASTERDS could easily have been called OSTENTATIOUS SELF-INDULGENCE.
I’m Dan Culberson and this is “Hotshots.”
“Sunshine Cleaning” False Promises
Apr 2nd
False Promises
“Hotshots” looks at a movie!
SUNSHINE CLEANING is a quirky little film that wants to be so much better than it actually is, given that it actually does display a great deal of promise.
It stars Amy Adams as Rose Lorkowski, Emily Blunt as her sister, Norah, and Alan Arkin as their father, Joe, a sort-of dysfunctional family living in Albuquerque, New Mexico, with a troubled past that is revealed about halfway through the film.
The film begins with a fairly dramatic and shocking scene that doesn’t so much set the tone of the film, but most likely was intended as a contradiction of what the film wants to be.
Then we see Rose in her bathroom reading what must be her daily
affirmation: “You are strong. You are powerful. You can do anything. You’re a winner.”
Rose works for a maid service, she was the head cheerleader in high school, where she dated the star quarterback on the football team, and she is the single mother of seven-year-old Oscar, who has a history of getting into trouble at school.
Rose’s high-school sweetheart, Mac, still meets with her occasionally, even though he is married to someone else, he is a detective, and he gives Rose the idea of starting her own cleaning service, which would specialize in cleaning up crime scenes, and thus is born the Sunshine Cleaning Service.
Rose convinces Norah to join her in the business, telling her that it is just like cleaning up a home, only there is blood and body fluids.
Norah just got fired from her job as a waitress, she likes weird stuff, and to say that Norah has quirks would be a gross understatement.
Their father, Joe, is a piece of work, too. He is always looking for a way to make some easy money, and when Rose leaves Oscar with Joe while she and Norah clean up crime scenes, sometimes Oscar works as Joe’s shill and Joe teaches Oscar what he calls “business acumen.”
However, when Rose attends a baby shower so she can see many of her old high-school friends, she sends Norah to a crime scene to begin the cleaning process, and Norah causes a disaster to occur.
SUNSHINE CLEANING has too many false promises that don’t deliver, just like Rose’s daily affirmation ritual, which doesn’t do much for her.
I’m Dan Culberson and this is “Hotshots.”
“Milk” Poignant and Frightening
Dec 18th
Poignant and Frightening
“Hotshots” looks at a movie!
MILK is the Gus Van Sant film about the political career of Harvey Bernard Milk, who in 1977 was elected to San Francisco’s Board of Supervisors and was credited with being the first openly gay elected official in U.S. history.
Tragically, a year later when he was only 48, Harvey was shot and killed along with Mayor George Moscone in City Hall by Dan White, a former city supervisor who had resigned his position, but wanted his job back and took out his frustration on the mayor and Harvey.
Sean Penn plays Harvey, and he is just absolutely great in the role. Expect him to win a nomination for an Academy Award for Best Actor.
Josh Brolin plays Dan White, and he could easily win a nomination for Best Supporting Actor, himself.
The film begins in November 1978 and uses the conceit of showing Harvey dictating into a tape recorder and commenting on the events that we then see in flashback as the film progresses.
In 1970 Harvey meets Scott Smith, played by James Franco, in New York City. It is Harvey’s 40th birthday, and he confesses, “Forty years old, and I haven’t done a thing that I’m proud of.”
Two years later they move to San Francisco together and open a camera store on Castro Street, the Number 1 destination for gays at that time. Harvey says that the police hated the gays, and the gays hated them right back.
Harvey became known as The Mayor of Castro Street, but he says that he might have invented that title for himself.
He decides to run for a real office, but he loses the election, being told that he is too old to be a hippie. In 1975 Harvey runs again, cleaning up his hippie appearance so that he looks like the successful businessman he was. He loses again.
Harvey’s personal life suffers, but he gains new friends as well as loyal supporters who finally help him win a seat on the Board of Supervisors in 1977.
Dan White also wins a seat, and Harvey forms an unlikely alliance with the former policeman and fireman on a number of causes they support. You could almost say that they even became friends.
And then all hell breaks loose.
MILK is poignant, enlightening, engrossing, and frightening, but mostly frightening in light of the recent current events.
I’m Dan Culberson and this is “Hotshots.”