Posts tagged Hotshots
“The Girl with the Dragon Tattoo” Swedish Version Better
Jan 1st
The Girl with the Dragon Tattoo (2011)
“Swedish Version Better”
“Hotshots” looks at a movie!
The Girl with the Dragon Tattoo, the Hollywood version, is out only 1-1/2 years after the Swedish version was released in the U.S., and if you didn’t see that version, you might think that this newer one is pretty good.
Daniel Craig plays investigative journalist Mikael Blomqvist, and Rooney Mara has replaced Noomi Repace as Lisbeth Salander, the girl with the dragon tattoo on her back, and the similarity of the actresses’ names can be confusing, just as the story can be for new audiences.
Spoiler Alert! If you have read the book on which both movies are based or if you saw the Swedish movie and managed to read the subtitles and watch the action at the same time, then you already know how this one ends, unless you have forgotten some of the convoluted details.
The movie cuts back and forth between Lisbeth and Mikael for the longest time before they ever get together to solve the crime that is the basis of the mystery, and once they do, Lisbeth says, “I like working with you,” to which Mikael replies, “I like working with you, too.”
This exchange is amusing, considering what happens just before they say that, but for the most part the movie is serious, grim, and graphic in its sex, violence, and nudity.
Mikael has been hired by a wealthy industrialist to figure out what happened to his niece, Harriet, who was 16 back in 1966 when she disappeared from the remote island on which the industrialist’s dysfunctional family all live.
Harriet’s disappearance was especially mysterious, because her body was never found, and an accident on the bridge to the island prevented anyone from getting on or off the island.
Meanwhile, Lisbeth has problems of her own in her personal life, she has a history of committing violence, and although she claims that she has taken care of herself since she was 10, she has a guardian from whom she gets her money to live on.
Lisbeth is an experienced researcher, an accomplished computer hacker, and her appearance is, shall we say, “extreme,” although I liked her appearance better in the Swedish version. Her dragon tattoo is better in the Swedish version, too.
The Girl with the Dragon Tattoo, the Hollywood version, is just not as good as the Swedish version.
I’m Dan Culberson and this is “Hotshots.”
“Young Adult” Is So Dark, It’s Black
Dec 23rd
“So Dark, It’s Black”
“Hotshots” looks at a movie!
Young Adult, because of the successes this year of Bad Teacher and Horrible Bosses, could have been called Bad Graduate or Horrible Alumna.
Instead, it is called Young Adult, because the protagonist, Mavis Gary, is the ghostwriter of a series of young-adult novels, but also because even though she is 37, she acts as if she were still in high school, where she was the popular prom queen.
The film was directed by Ivan Reitman and written by Diablo Cody, who previously worked together on the 2007 Juno, for which Cody won the Academy Award for Best Original Screenplay, and Mavis in this film has even been referred to as a grown-up Juno.
Charlize Theron plays Mavis, and when the movie opens, she is living unhappily in Minneapolis, where she learns that the wife of her high-school sweetheart, Buddy Slade, has just recently had a baby.
So, Mavis says, “It’s like he’s a hostage,” and she drives back to her hometown of Mercury, Minnesota, where she intends to win Buddy back, rescue him, or whatever other euphemism she can think of for stealing Buddy away from his wife and newborn baby.
However, before Mavis can meet Buddy for an “innocent drink,” she encounters Matt Freehauf, whom she doesn’t remember from high school even though their lockers were right next to each other.
Matt was and still is a geek, he is crippled, and then Mavis remembers that he is the “hate-crime guy,” the boy from their high-school days who was brutally attacked and crippled by some jocks for being gay, even though Matt wasn’t gay.
Mavis tells Matt that she is back in town to get Buddy back, because they were meant to be together, and Matt tells Mavis what she already knows, that Buddy is married and his wife just had a baby.
Matt lives with his sister, has a distillery in his garage, and Mavis keeps calling on Matt for alcoholic friendship when her plans to steal Buddy away from his wife keep not working out, especially when Mavis makes a scene at the baby’s naming ceremony.
Mavis believes that most people in Mercury seem to be so happy with so little, and yet it is difficult for her to be happy.
Young Adult is a comedy, but it is so dark, it is black humor.
I’m Dan Culberson and this is “Hotshots.”
“The Skin I Live In” Is Unnecessarily Shocking
Dec 18th
“Unnecessarily Shocking”
“Hotshots” looks at a movie!
The Skin I Live In is the latest movie from Spanish writer and director Pedro Almodovar, and of all the movies that he has made, this is one of them.
The story begins in 2012 in Toledo, Spain, and there will be some flashbacks and dream sequences designed to enlighten and confuse the audience, respectively, whereas the purpose of the whole movie is just to lead up to a whopping shocker at the end.
Antonio Banderas plays Dr. Robert Ledgard, a renowned plastic surgeon who is experimenting with developing artificial skin that is sensitive to gentle touches and yet at the same time is indestructible.
The reason that Robert is obsessed with creating this artificial skin is that years earlier his wife was in an automobile accident in which her skin was horribly burned, and she died as a result of that accident.
So, Robert has a patient locked up in his house, a beautiful young woman named Vera whose whole body is being covered with the artificial skin.
One day Vera cuts herself across her breasts, and Robert saves her and repairs the damage, but Vera says, “If you want me to stop breathing, kill me.”
Robert points out to her that if she had really wanted to kill herself, she would have cut her jugular vein.
Robert uses pig cells to strengthen the artificial skin, which is illegal, and he is ordered to stop his experiments or else he will be reported to the scientific and medical communities.
Of course, he doesn’t, because otherwise there wouldn’t be any movie.
Robert keeps Vera locked up in her room, but he can observe her with all the surveillance cameras he has installed, and we learn more about Vera, Robert’s housekeeper, visitors to Robert’s house, and even about Robert himself.
When Robert is finished, Vera can boast of having the best skin in the world, but apparently Vera has now become attracted to Robert, and she tells him that she wants to live together with him as equals, like everyone else.
However, Robert’s housekeeper warns Robert that he has to kill Vera or Vera will kill herself. She also says that Robert shouldn’t have constructed Vera’s face to resemble the face of his dead wife.
The Skin I Live In is unnecessarily shocking and becomes even more unnecessarily shocking.
I’m Dan Culberson and this is “Hotshots.”