Posts tagged Michael Shannon
“Take Shelter” Confusion for Confusion’s Sake
Nov 7th
“HOT SHOTS” LOOKS AT A MOVIE BY DAN CULBERSON: Take Shelter is an award-winning, critically acclaimed film that just might leave you wondering what all the awards and acclamation was about.
Michael Shannon and Jessica Chastain star as Curtis and Samantha LaForche, they have a 6-year-old daughter named Hannah, who is deaf, and they all live in a small town in Ohio.
Curtis is a crew chief for a sand-mining company, but then things start happening to him that causes him to worry enough to go see a doctor. He is having bad dreams in which weird things happen to him and make him take action about them afterwards in his waking life.
Then he starts seeing things and hearing things during the day, which causes him to question his sanity, considering that he is 35 years old and his mother was diagnosed with paranoid schizophrenia 25 years earlier when she was 30.
And then one day Curtis says, “I’m thinking about cleaning up that storm shelter out back.”
So, without telling Samantha, he gets a home-improvement loan for $7,000, borrows some equipment from work, and then begins expanding the small storm shelter into a larger, fully equipped bunker for him and his family to wait out the apocalypse that he believes is soon coming.
Curtis articulates this as he is afraid that something “not right” might be coming, he promised himself that he would never leave Samantha and Hannah, and he is doing everything he can to make that come true.
So, are the events that Curtis is experiencing and interfering with his life real or imagined? The audience has to decide that for the time being.
When warning sirens go off and the family hides in the storm shelter to avoid the danger, Curtis doesn’t want to open the door after the danger appears to be over, but Samantha tells him that he has to open the door or else nothing will change.
Now, some critics have said that the final scene in the movie explains everything, but even that is left open for interpretation and speculation.
Take Shelter takes every opportunity to include unnecessary details that just add to the confusion, it is a movie that eventually can cause the audience to question their own sanity, but in the end, you can conclude that it is nothing more than confusion for confusion’s sake.
I’m Dan Culberson and this is “Hotshots.”
Take Shelter – Movie Trailer
Nov 2nd
Curtis LaForche lives in a small Ohio town with his wife Samantha and six-year-old daughter Hannah, who is deaf. Money is tight, and navigating Hannah’s healthcare and special needs education is a constant struggle. Despite that, Curtis and Samantha are very much in love and their family is a happy one. Then Curtis begins having terrifying dreams about an encroaching, apocalyptic storm. He chooses to keep the disturbance to himself, channeling his anxiety into the obsessive building of a storm shelter in their backyard. But the resulting strain on his marriage and tension within the community doesn’t compare to Curtis’ private fear of what his dreams may truly signify. Faced with the proposition that his disturbing visions signal disaster of one kind or another, Curtis confides in Samantha, testing the power of their bond against the highest possible stakes.
“Revolutionary Road” Death of the American Dream
Feb 19th
Death of the American Dream
“Hotshots” looks at a movie!
REVOLUTIONARY ROAD has admirable qualities, but it is also a disappointment in many more ways than one.
Admirable, of course, is that it stars Leonardo DiCaprio and Kate Winslet, it was directed by Winslet’s husband, Sam Mendes, and it is based on the acclaimed 1961 novel by Richard Yates.
One of the disappointments is built into the story, which takes place in 1955 and is about what was known as “the American Dream.”
According to BREWER’S DICTIONARY OF PHRASE & FABLE, the American Dream is “a phrase epitomizing the democratic ideals and aspirations on which America had been founded, the American way of life at its best,” and back then that included a happy marriage, two children, a house in the suburbs, and a fulfilling job that is rewarding.
When the film opens, we see Frank and April meet at a party in New York City. Frank is a veteran of World War II, and April is studying to be an actress.
We skip ahead to when they are already married and April is appearing in a community-theater production with disappointing, humiliating results. Frank says to April, “Well, I guess it wasn’t exactly a triumph or anything, was it?”
On the way home, they get into an argument, Frank stops the car, he calls her “sick,” and she calls him “disgusting.”
Then we see a flashback to when they bought their house in Connecticut on Revolutionary Road.
Frank commutes to his boring job in New York City, and on his 30th birthday he does something that we hope is out of character.
April believes that Frank is the most interesting person she has ever met, and she tells him her idea that will change their lives forever. She wants to sell their house and everything else they have, move the family to Paris, and she will work to support the family while Frank will have all the time he needs to figure out what he wants to do.
Frank agrees, because their whole existence is that they are different from everyone else and that they are “special.”
However, they aren’t really special; they just think they are and have deluded themselves into believing that, especially when something happens at work that makes Frank get cold feet about Paris.
REVOLUTIONARY ROAD is the death of the American Dream with many false endings.
I’m Dan Culberson and this is “Hotshots.”