Posts tagged show
“The Men Who Stare at Goats” Surrealist Insanity
Nov 12th
Surrealist Insanity
“Hotshots” looks at a movie!
THE MEN WHO STARE AT GOATS is based on the 2005 nonfiction book by Jon Ronson, and it is a comedic look at real-life events about a top-secret branch of an experimental U.S. Army unit called the New Earth Battalion, which was created to change the way that wars are fought.
As the film says at one point, the Army was investigating how love and gentleness could win wars, and a notice at the beginning of the film says, “More of this is true than you would believe.”
Full disclosure: You might need to have served in the military in order to appreciate the full impact of this film. Otherwise, you might dismiss it as a fantasy instead of an honest account of just how cockeyed and wacky life can be in the military, even in the midst of a war.
In other words, young audiences today will probably not enjoy this film as much as older people who actually spent time in the military, as I did for three years back in the Sixties.
Most of the film takes place in 2003 in Iraq, but we also get flashbacks that show how the New Earth Battalion came to be and some of the training and experiences of recurring characters.
George Clooney plays Lyn Cassady, one of the Jedi Warriors, as they called themselves, and the most gifted psychic that another character who had served with Cassady had ever met.
That character tells Bob Wilton, a reporter played by Ewan McGregor, about the New Earth Battalion and says, “We were trying to kill animals with just our minds.”
That is where the title comes from, because in the early days the unit had a secret goat lab, and the men would try to kill a goat just by staring at it.
Jeff Bridges and Kevin Spacey also star in the film, and Wilton meets them all after he first meets Cassady in Kuwait and they travel into Iraq to accomplish Cassady’s secret mission.
CATCH-22, the 1961 novel by Joseph Heller that was made into a 1970 film, captured the surrealist insanity of World War II Army life during that war.
THE MEN WHO STARE AT GOATS is the CATCH-22 of the war in Iraq, and as the film says, more of it is true than you would believe.
I’m Dan Culberson and this is “Hotshots.”
“Inglourious Basterds” Ostentatious Self-Indulgence
Aug 27th
Ostentatious Self-Indulgence
“Hotshots” looks at a movie!
INGLOURIOUS BASTERDS is intentionally misspelled, because writer-director Quentin Tarantino wanted that title for his latest movie, but also wanted to differentiate it from the 1978 Italian movie of the same name, which just shows how easily he could have given it a unique title.
I’ll tell you what that unique title could have been later on.
The film is divided into five chapters, which are identified at the beginning of each section, and Chapter 1 takes place in 1941 in Nazi-occupied France.
Col. Hans Landa, a German SS officer played brilliantly by Austrian actor Christoph Waltz, shows up with his men at a small dairy farm to question the owner in private.
Waltz has already won the Best Actor award at the 2009 Cannes Film Festival, and he is sure to be nominated for and to win many more similar awards for this role.
Col. Landa is charged with finding and killing Jews in France, and he suspects that the farm owner he is questioning can provide him with information about the last Jewish family unaccounted for in the neighborhood.
Chapter 2 then shows the title characters, who are a squad of Jewish- American soldiers who have been dropped behind enemy lines in France and are led by Lt. Aldo Raine, played by Brad Pitt in a surprisingly comic role.
Lt. Raine tells his men, “We’re here to do one thing and one thing only: Killing Nazis.”
Well, that’s not entirely true, because they also scalp the German soldiers that they kill in order to send a message to whoever finds the soldiers’ bodies.
Chapter 3 then jumps to 1944 in Paris, and we meet Shosanna Dreyfus, a young Jewish woman who owns a movie theater, and here is where Tarantino really starts to show off his cinematic knowledge, so much so that the audience can get the impression that this is a lecture on the history of cinema instead of a movie itself.
Col. Landa shows up again, and then later Lt. Raine and the Inglourious Basterds show up, too, but by now this is no longer a war movie, but an elaborate hoax on the audience because of Tarantino’s rewriting of well-known history.
And remember how I said that Tarantino could have given it a unique title?
INGLOURIOUS BASTERDS could easily have been called OSTENTATIOUS SELF-INDULGENCE.
I’m Dan Culberson and this is “Hotshots.”
“The Soloist” Could Have Been Better
May 14th
Could Have Been Better
“Hotshots” looks at a movie!
THE SOLOIST is based on a true story, and yet it comes across as if the filmmakers weren’t exactly sure where they wanted the focus to be.
It stars Jamie Foxx as Nathaniel Ayers and Robert Downey Jr. as Steve Lopez, two men whose lives change dramatically when they meet each other and become friends.
Lopez is a columnist for THE LOS ANGELES TIMES, and one day he encounters Ayers in a park playing beautiful music on a violin that has only two strings.
Lopez thinks that Ayers could be the subject of an interesting column, writing “violin guy” in his notebook for ideas, and he begins finding out all he can about this homeless man with amazing musical talent.
He learns that Ayers had been a student at the Juilliard School of Music, but had dropped out before graduating. And when he tracks down the sister of Ayers in Cleveland, she asks him why he is interested in her brother, and Lopez says, “Everyone has a story, and it’s interesting.”
The sister tells Lopez that Nathaniel had become fascinated with music when he was a young boy and after that there was no more football, no more baseball, just music. She says, “That was all he did, just music.”
We see flashbacks to when Ayers was a kid that show his fascination and also to when he arrived in New York City to attend Juilliard, which also give us an indication as to why he dropped out before graduating.
Lopez begins writing some columns about Ayers, which cause one reader to send him a cello that she can’t play anymore to give to Ayers, because the cello was his first instrument of choice.
Lopez involves himself even more into the homeless man’s life, managing to obtain an apartment for Ayers, cello lessons for the first time in three decades, and even to arrange for Ayers to attend a rehearsal for a Beethoven concert.
However, things don’t always go the way Lopez plans them, and the relationship between Ayers and Lopez takes a turn for the worse.
Because we see so many details of Lopez’s life at home and at the office, we begin to wonder if the filmmakers wanted to tell the story about Lopez or about Ayers.
THE SOLOIST is good, but could have been better.
I’m Dan Culberson and this is “Hotshots.”
