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“The Town” Not Pretty, but Good and Exciting
Sep 22nd
“Not Pretty, but Good and Exciting”
THE TOWN is the second film that Ben Affleck has directed, and he also stars in it along with Jon Hamm, Jeremy Renner, Blake Lively, Pete Postlethwaite, and Chris Cooper.
The story takes place in modern-day Charlestown, a square-mile rough neighborhood near Boston known for its criminals and unsolved murders, and sometimes the actors’ accents are so thick that it is difficult to understand what they are saying.
The film opens with a bank robbery, the four robbers all wearing skull masks, and they take the pretty bank manager hostage with them in their escape.
When they release Claire, the robbers take her driver’s license and tell her that if she talks to the FBI, they know where she lives and they will come to her home, rape her, and kill her.
Naturally, Claire has to talk to FBI Special Agent Adam Frawley, and while she is being questioned, she asks, “Should I have a lawyer here?”
Frawley tells Claire that anyone who lawyers up during questioning is usually guilty, and because Claire doesn’t want to be involved any more than she already is, she doesn’t tell Frawley one piece of information about the robbers that she observed.
Meanwhile, the leader of the robbers, Doug MacRay, follows Claire, meets her “accidentally,” they start talking, and he takes her out for a drink. She doesn’t know who Doug really is, they start dating, and at one point Claire tells Doug the information that she withheld from the FBI.
Claire tells Doug that on really sunny days, she always thinks of someone dying, because her younger brother died on such a day, which will play an important part in a later scene in the film.
Doug is planning another big robbery, but he tells his partner and childhood friend, Jim, and the rest of the team that it will be their last job, after which they will just hit bars.
This time the team all wear nun’s masks, and the getaway chase through the streets of Boston is exciting, especially when a bridge shows up.
Of course, whenever crime is involved, nothing ever goes on as planned.
THE TOWN is not pretty, but it sure is good, exciting entertainment, it’s dedicated to the good people of Charlestown, but made about the “bad” people, and I sure am glad it was.
I’m Dan Culberson and this is “Hotshots.”
“The American” The Red Herring
Sep 14th
“The Red Herring”
THE AMERICAN stars George Clooney as the title character in what is essentially a foreign film and not just because it leaves a lot of questions unanswered.
Most of the film takes place in Italy, and because Clooney is one of the producers and also owns a home in Italy, cynics could say that Clooney made the film just so he would be able to sleep in his own villa every night.
Clooney plays Jack, although he sometimes goes by the name of Edward. The story opens in Sweden, and we see Jack and a beautiful woman out walking in the snow when suddenly they are shot at. Jack pulls out a pistol to the surprise of his companion and kills the man shooting at them.
Jack says to the woman, “Go to the house and call the police.”
What happens next is just the first of the many unanswered questions.
The next thing we know, Jack is in Italy, and he’s not wearing a beard anymore. He calls on a man who appears to be his handler and is told to leave town and to wait for a call from the man.
So, Jack drives to a small town and sets up shop, so to speak.
He tells a priest he meets that he is a photographer on a working vacation, but we never see him with any cameras. He also claims that he is not good with machines, but later he fixes the priest’s small truck for him when it won’t start.
Jack also exercises a lot and keeps looking out the window of his room with a pair of binoculars.
Then he meets a woman in a cafe by arrangement, and they have a very technical discussion, but there is also the suspicion that they are being watched.
Jack starts visiting a prostitute named Clara, and when he goes back and she isn’t working that night, he just leaves.
As you might have guessed by now, Jack could possibly be a hired assassin or he might not be. And if he is, you might have guessed who his next victim is going to be.
Unfortunately, we will never know, because the whole movie is one big buildup without any satisfactory payoff.
THE AMERICAN, in other words, is nothing more than one long, extended red herring.
I’m Dan Culberson and this is “Hotshots.”