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“Moon” Excellence
Jul 22nd
Excellence
“Hotshots” looks at a movie!
MOON is an excellent film that doesn’t answer all of the questions it raises, but it leaves them for you to think about and enjoy for weeks to come, if not for years to come.
In other words, it stays with you and isn’t easily forgotten about, as so many other movies are today.
It was directed by Duncan Jones, which is all the more remarkable, because this is the first feature film that he has directed. What is at least interesting, if not also remarkable, is that Jones is the son of David Bowie.
The film stars Sam Rockwell as Sam Bell, the only human on a mining base on the far side of the Moon, which means that he doesn’t even have the comfort of being able to look up into the sky and see planet Earth.
Sam has only two weeks left on his three-year contract with Lunar Industries, and he says, “I’m talking to myself on a regular basis. Time to go home.”
However, Sam isn’t alone inside the lunar station. There is also a robot named Gerty to look after him and the operation.
Gerty, which is voiced by Kevin Spacey, isn’t just a stationary box inside a wall, either. It has components that can move around inside the station, and it has an animated smiley face that displays its three “emotions”: happy, sad, and noncommittal.
Sam can also communicate with his wife and daughter back home on Earth by using recorded video messages, but that isn’t very much comfort to him.
One day Sam injures himself when he is distracted by a hallucination of a beautiful woman sitting in a chair, and his injury will have consequences later on.
Worse than that, however, Sam has an accident in one of the lunar rovers while out at a mining operation, and this accident will change his life for the rest of the time he has on his contract, if not forever.
When Sam lies to Gerty, and then we catch Gerty lying to Sam, we know that something dramatic is about to happen. And when Sam’s replacement shows up, it does.
At first Sam and his replacement don’t get along, but then they start cooperating for reasons that we couldn’t have imagined.
MOON leaves us with questions, but its lasting impression is excellence.
I’m Dan Culberson and this is “Hotshots.”
Moon – Movie Trailer
Jul 17th
An astronaut miner extracting the precious moon gas that promises to reverse the Earth’s energy crisis nears the end of his three-year contract, and makes an ominous discovery in this psychological sci-fi film starring Sam Rockwell and Kevin Spacey. For three long years, Sam Bell has dutifully harvested Helium 3 for Lunar, a company that claims it holds the key to solving humankind’s energy crisis. As Sam’s contract comes to an end, the lonely astronaut looks forward to returning to his wife and daughter down on Earth, where he will retire early and attempt to make up for lost time. His work on the Selene moon base has been enlightening — the solitude helping him to reflect on the past and overcome some serious anger issues — but the isolation is starting to make Sam uneasy. With only two weeks to go before he begins his journey back to Earth, Sam starts feeling strange: he’s having inexplicable visions, and hearing impossible sounds. Then, when a routine extraction goes horribly awry, it becomes apparent that Lunar hasn’t been entirely straightforward with Sam about their plans for replacing him. The new recruit seems strangely familiar, and before Sam returns to Earth, he will grapple with the realization that the life he has created may not be entirely his own. Up there, hundreds of thousands of miles from home, it appears that Sam’s contract isn’t the only thing about to expire.
“The Taking of Pelham 123” Better Than Expected
Jun 17th
Better Than Expected
“Hotshots” looks at a movie!
THE TAKING OF PELHAM 1 2 3 is a remake of the 1974 film of the same name but with different spelling, and it has been updated with new technology and financial conditions, as well as with the whiz-bang visual techniques of director Tony Scott.
Denzel Washington plays the Walter Matthau role of Walter Garber, a temporary dispatcher of New York City Transit, and John Travolta plays the Robert Shaw role of a man named Ryder, who leads a team of four hijackers of a subway train.
When Garber first talks to Ryder to ask why the train stopped, Ryder says, “This is the man who’s going to give the City a run for its money.”
After some quick and obviously phony calculations, Ryder demands $10 million and one cent in cash in exactly one hour, or else he will start killing one of the 19 passenger hostages for every minute that the money is late.
James Gandolfini plays the mayor, who gets involved when he has to authorize the payment of the ransom, and we get an awful lot of preliminary setup shots followed by an awful lot of talk, plus the flashy visuals of the police racing to transport the money downtown to where the subway car is waiting.
Garber’s boss tells Garber to go home and let the official hostage negotiator from the police take over, which is fine with Garber, because he has had the dispatching job only a couple of weeks. But when Ryder learns that Garber is gone, he shoots the motorman and demands that Garber be brought back for the negotiations.
If you are not familiar with the story, at this point you might start to wonder What’s the suspense? Well, the suspense is in whether the hijackers are going to succeed or fail, depending on which side you are rooting for.
So, essentially we have a weak story with very good execution and exceptionally fine acting, especially by Travolta, who naturally has the showier part.
Garber and Ryder eventually even get to meet face to face when Ryder demands that the dispatcher come underground with the money for reasons we don’t learn until afterwards.
Then we get an exciting ending that we didn’t anticipate.
THE TAKING OF PELHAM 1 2 3 is better than expected or deserves to be.
I’m Dan Culberson and this is “Hotshots.”